| 绘画与服装设计属于艺术学科中的两个分支，法语论文题目，二者之间自从有了人物绘画起就有了密弗成分的关系。画家以实际的生涯为底本，深入地描写了生涯中分歧阶级的人们，反应了其时的审美兴趣和绘画特色。而且画中的人物全体服装塑造为研究历代服装文明供给年夜量的图片素材。文章经由过程绘画的角度，以法国洛可可时代重要的油画著作为例，对这一时代的服装到“图象”（作为绘画）中的服装这一转场停止剖析，以到达对绘画艺术说话更深条理的懂得。服装与绘画这两门学科，二者的关系是密弗成分的，在剖析二者的关系的基本上深刻研究，法语毕业论文，从绘画的角度透视绘画中的人物服装，是文章的动身点。绘画与服装外型艺术会跟着人类的文明提高而成长，平日服装随同着人物而涌现，是以，服装在人物肖像绘画中所承载的文明内在及其所发生的效应，是任何器械都没法代替的。在现今世界，跟着古代文明的赓续成长和年夜众对审雅观点的多样化需求，多元化服装赓续地成长与繁华，必定会为往后的人物肖像绘画增加新的活气。 Abstract: Painting and fashion design belonged to two clades in the subject of art, and between the two since the figure painting has a close relationship. Painter to the actual career as dibon, deeply describes the career of the class differences, reflect the aesthetic interest and painting features. And the figure of all the characters in the painting to create a picture of the amount of material for the study of the ancient clothing civilization supply. Article through angle of the painting process, to French Rococo Era paintings as an example, the clothing of the era to the "image" (as a painting) in the garments of this transition analysis, to arrive on the art of painting speak a deeper level of understanding. The subject of clothing and painting, the relationship between the two is close, in the analysis of the two basic on deep research, from the perspective of painting perspective painting of the characters clothing, is the starting point. Painting and fashion appearance art will follow the human civilization to improve and grow, weekday clothing along with the characters and emergence is to clothing in portrait painting carries the cultural connotation and the effect is any device can replace. In today's world, along with the ancient civilization of the ceaseless development and practice of big public elegant view the diverse needs of diversified clothing and ceaseless development and prosperity will add new vitality for the next painting portraits. 目录: 摘要 4-5 ABSTRACT 5 第一章 绪论 8-10 1.1 课题探讨的目的与意义 8-9 1.1.1 探讨目的 8 1.1.2 探讨意义 8-9 1.2 法国洛可可时期绘画中的人物服饰探讨近况 9-10 第二章 法国洛可可时期绘画、服饰风格特征 10-13 2.1 法国洛可可时期的文化背景 10 2.2 法国洛可可时期服饰的风格特征 10-11 2.3 法国洛可可时期绘画的风格特征 11-13 第三章 法国洛可可时期绘画中人物服饰的表现 13-28 3.1 构成学视野下的表现特征略论 13-19 3.1.1 线条 13-15 3.1.2 色彩 15-18 3.1.3 构图 18-19 3.2 戏剧性建构 19-23 3.2.1 戏剧性的角色塑造 20-22 3.2.2 抽离生活的画面组合中的人物 22-23 3.3 凝固时间的画面表现 23-28 3.3.1 类似摄影的静态角色摆拍 25-26 3.3.2 细节重塑—视域、光氛与质感下的人物服饰绘制笔意 26-28 第四章 绘画中的人物服饰探讨的价值及意义 28-31 4.1 对人物绘画创作的启示 28-29 4.2 对现代绘画中的服饰复古趋势的作用 29-31 结论 31-32 注释 32-33 参考文献 33-35 致谢 35-36 在学期间的探讨成果及发表的学术论文 36 |
