| 本文以法国十九世纪有名作家小仲马的名作茶花女为研究主题,并剖析其与中国相干范畴著作的接洽和作用。以中国清末作家钟心清的新茶花为切入点,二者的契合点树立在模拟艺术上,坚持各自的奇特性,但又同时有显著的模拟艺术的存在,在此基本上,可以联合两个国度的文明汗青配景等各方面的联系关系和分歧,重新颖独到的研究角度对中法两部文学著作停止加倍深刻的剖析研究。从而,加倍深化茶花女这一艺术抽象,和以茶花女为代表的所谓的下流社会的高等外交花的生计状况和情感生涯,研讨边沿人物的精力和生涯状况。中法文明的差别,中法思惟的分歧,在文学著作上的表示由此研究可充足表现无疑。详细到十九世纪甚至二十世纪早期的社会变更和社会心识,都在研究进程中逐个出现,并被深刻略论。另外,这一研究主题,也能够处理许多今朝存在的中西思惟文明差别等方面的深层成绩,固然,在提醒形成如今这类状态的多方面缘由的同时,我们也对两国社会边沿人物精力层面的状况停止了研究和略论。这类特别社会阶级的存在和成长,从正面反应了社会成长进程中的庞杂成绩、社会的生长与提高必需要面对的成绩和一定要支付的价值。其实不仅仅逗留在强调人物抽象的类似和相异方面,而加倍重视其时清末平易近初时代涌现的这个小规模的对茶花女在人物塑造、故工作节、写作手段等方面的模拟写作。这其实不是一种偷工减料的写作,而是基于某部非本国著作的创作运动。由于人物和故事均被放置在一个极新的情况,作者本意是要转达与原作相通的理念,塑造具有类似气质和性情的人物。这一特别的创作运动,在其时中国还不开放互通的配景下,无疑是起到了流传法国文学的感化,并推进了法国甚至东方小说等文学著作传入中国,坦荡公民的眼界,懂得更普遍世界里的人文和生涯形状,从而也增进了中国文学多样性的成长。在人物抽象方面的比较基本上,找出两国分歧的审雅观,进而另辟门路从医学方面剖析论述肺结核等疾病的病理,从而解释中国传统文明与法国文明是若何用文学的眼力来审阅两女主人公身上共有的病症景象,身材的疾病苦楚是若何使女主人公的抽象变得加倍楚楚动听,使其品德变得加倍光荣醒目。从中挖掘分歧的文学解读理念。深刻研讨这一模拟艺术,在此基本上,可以联合两个国度的文明汗青配景等各方面的联系关系和分歧,重新颖独到的研究角度对中法两部文学著作停止加倍深刻的剖析研究。从而,加倍深化茶花女这一艺术抽象,和以茶花女为代表的所谓的下流社会的高等外交花的生计状况和情感生涯,研讨边沿人物的精力和生涯状况。中法文明的差别,中法思惟的分歧,在文学著作上的表示由此研究可充足表现无疑。详细到十九世纪甚至二十世纪早期的社会变更和社会心识,都在研究进程中逐个出现,并被深刻略论。经由过程这类比较研究,来挖掘两种分歧文明和社会配景下两段异样动人至深的恋爱故事。惹起年夜家对社会边沿阶级的生涯状况的进一步存眷和懂得。同时,指出“茶花女”的言行固然是高等外交花的言行,但她的深层品德确是所谓的年夜家闺秀都不具有的,对真正恋爱的盼望和忠实,反而加倍激烈和真诚。这是某种水平上的心灵品德与社会位置的极年夜反差。 Abstract: The famous 19th century French writer Alexandre Dumas's masterpiece, "La Traviata" as the research subject and analysis the coherent with China works category contact and influence. "The new Camellia" for China in the late Qing Dynasty writer Zhong Xinqing as the breakthrough point, their meeting point set in simulation of art, adhere to their peculiarity, but also has significant art imitates the existence of, on the basis of can united the two kingdoms of civilization history background, and so in all aspects of relations and differences, heavy original research angle of Sino French two literary works to stop double deep analysis and study. Thus, doubling the deepening Camellia female this abstract art, and La Traviata on behalf of the so-called underworld of higher foreign flower's livelihood situation and emotional life, and to explore the fringe of energy and living conditions. Sino French cultural differences, the differences between China and France, in the work of literature, said the study may be sufficient to show. Detailed to nineteenth Century or even twentieth Century early social changes and social awareness, are in the process of research one by one, and was deeply analyzed. Also the theme of this research, also can deal with many current existence of Chinese and western ideological and cultural differences etc. the deep results, of course, to remind the formation now the reason of this kind of state, at the same time, we also the status of bilateral social fringe energy level stopped research and analysis. The existence and growth of this special class of society, from a positive reaction to the complex achievements in the process of social development, the growth and improvement of the society must face the results and the value of a certain value to be paid. In fact, not only stay in the emphasis on the character of the abstraction of the similar and different aspects, and to redouble their attention meantime at the end of the Qing Dynasty in the early era of the emergence of the small scale of "La Traviata" in the character shape, therefore, writing means of imitating writing. This is not a shoddy writing, but on a non national literary movement. Due to the characters and stories are placed in a very new situation, the author is intended to convey the concept of communication with the original, to create a similar temperament and temperament of the characters. The special creation movement, in the meantime China is not open for the interworking with king is undoubtedly to spread the influence of French literature, and promote the French even Oriental literary works such as novels was introduced into China, magnanimous citizen's horizons, know more common in the world of humanity and career shape, and enhance the growth literature diversity in China. In the abstract character comparison, find out decency and differences between the two countries, Shen, and monarch IACON from medicine analysis on tuberculosis and other diseases, pathology, thus explaining Chinese traditional culture and the French civilization is how to use the eye of literature to review two hostess character of common disease scene, the body disease suffering is how the heroine of abstraction becomes delicate and beautiful double, make the character becomes doubly glorious eye-catching. The idea of literature reading from which the differences of interpretation. Deeply explore the simulation of art, on this basis can united the two kingdoms of civilization history background, and so the relationships and differences, heavy original research angle of Sino French two literary works to stop double deep analysis and study. Thus, doubling the deepening Camellia female this abstract art, and La Traviata on behalf of the so-called underworld of higher foreign flower's livelihood situation and emotional life, and to explore the fringe of energy and living conditions. Sino French cultural differences, the differences between China and France, in the work of literature, said the study may be sufficient to show. Detailed to nineteenth Century or even twentieth Century early social changes and social awareness, are in the process of research one by one, and was deeply analyzed. Through the process of this kind of comparative study, to dig two different civilizations and social background of the two sections of the same moving to the deep love story. Cause the eve of the family of the social edge of the career status of the class and understand the further attention and understanding. At the same time, it is pointed out that the "La Traviata" words and deeds is certainly spend higher foreign words and deeds, but her deep character is indeed the so-called big lady is not, the hope of real love and faithful, but double intense and sincere. This is a level of moral and social position of the great contrast. 目录: |
