| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 本文对俄国情势主义“生疏化”实际停止了研究。文章分为三个部门：第一部门：商量“生疏化”实际的语境与实质，俄语论文题目，重要从“生疏化”实际发生的语境和“生疏化”实际的目标与手腕两方面停止阐述。个中“生疏化”实际发生的语境从“生疏化”与“文学性”，平常说话与文学说话，俄语毕业论文，“生疏化”与“主动化”三个方面加以略论。“生疏化”实际的实质重要表现在可理性和惊异感两个方面。第二部门：从文学说话角度剖析“生疏化”实际。重要包含“生疏化”付与文学说话情势自力的审美价值，加强文学说话可理性，拓展文学说话的审美空间三个方面。第三部门：从“间隔说”的角度进一步深刻商量“生疏化”的实际价值，包含制作昏黄感、奥秘感、审美自力性、视角“中性化”等方面。 Abstract: In this paper, the theory of Russian Formalism "unfamiliar" has been stopped. The article is divided into three parts: the first part: to discuss the "strange" the actual context and essence, "strange" from actual context and "strange" realistic goals and the wrist are discussed. Chinese "unfamiliar" of the actual context from the "unfamiliar" and "literary", usually speak and literature, "unfamiliar" and "active" three aspects to be analyzed. "Unfamiliar" the actual substance of the important performance in the sense of rationality and sense of surprise in two areas. The second sector: from the perspective of literature to speak of "unfamiliar". Include "strange" entrusted to talk literature situation independent aesthetic value, strengthen the literary talk rationally, expand talk literature aesthetic space. The actual value of the third sector: from the perspective of "interval" further deep to discuss the "strange", including making dim sense, sense of mystery, aesthetic independence, from the perspective of "neutral". 目录: 封面 1-2 |
