| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 奥斯特罗夫斯基是十九世纪俄罗斯甚至全部世界最有名的剧作家之一，他的创作数目惊人，技能奇特熟练，是俄罗斯的名贵财富。国际对他的研究多半还逗留在他的单行本《年夜雷雨》上，研究结果较少较单一。本辞意在引见奥氏剧作的俄罗斯平易近族特点和这些特点在戏剧著作中的详细表现，俄语论文，以期为国际学术界供给一个深刻研究的线索。本文分为引言、注释、结语三部门。引言部门起首引见了汗青上国际外对奥斯特罗夫斯基的研究结果，俄语论文网站，重点放在国际对他的研究状态上，进而肯定了本文论题的意义和研究的切入点。最初，对本文触及到的相干著作做了扼要的引见。注释分为三个部门，分离从分歧的角度剖析奥氏著作的俄罗斯特点。第一部门，“俄罗斯式的戏剧内容”。这一部门从奥氏选材内容动身，剖析了奥氏笔下的俄罗斯实际生涯和俄罗斯式的品德不雅。第二部门，“俄罗斯式的戏剧技能”。在这一节，笔者深刻文本当中，从生涯流、俄式说话、俄式人物、俄式滑稽四个方面论述奥氏的平易近族戏剧创作特色。第三部门，“奥氏戏剧平易近族特点的成因”。这一部门重要从俄国戏剧传统和奥斯特罗夫斯根本人的身分两个方面停止剖析，从内部和外部深刻略论形成这类创风格格的根本缘由。结语部门总结了笔者不雅点，指明奥斯特罗夫斯基戏剧为俄国戏剧舞台所做出的首创。此次首创为以后的俄国戏剧家供给了无益的自创。 Abstract: Ostrowski is one of the most famous writers in Russia and even all the world in nineteenth Century. His creation is amazing. His skills are very strange. Most of his research on international linger in his pamphlet "Thunderstorm", the result is less than a single. The speech is intended to introduce austenite plays Russian plain near ethnic characteristics and these characteristics in drama works shown in detail, in order to supply of international academic circles a profound research clues. This paper is divided into three departments, the introduction, the notes and the conclusion. The introduction section first introduces the history of the international and foreign to Ostrowski's research results, the emphasis is placed on the international to his research status, and then affirmed the significance of this thesis and the research point. At first, this paper briefly introduces the relevant work of this article. Notes are divided into three departments, the separation of the Russian characteristics from the perspective of the differences between the two sectors. First department, "Russian style drama content". This section of the Department from the Austrian selection of the content, analysis of the Russian real life and Russian style of the Russian style. The second sector, "Russian style drama skills". In this section, the author deeply in the text, from the career flow and speak Russian, Russian characters, the Russian funny four aspects discusses austenitic plain near family drama creation characteristics. The third sector, "the cause of the formation of the characteristics of the Austrian drama". The important part of this department is to analyze from the two aspects of Russian drama tradition and Oosterloo J J Gen's identity, from the internal and external analysis to form the root cause of this kind of innovation. The concluding section summarizes the author's point of view, and points out that Ostrowski's plays are the first of the Russian drama stage. The first is the Russian dramatist supply useless created. 目录: 内容摘要 4-5 Abstract 5 引言 7-8 第一章 俄罗斯式的戏剧内容 8-16 第一节 俄罗斯现实生活 9-13 第二节 俄罗斯式道德观 13-16 第二章 俄罗斯式的戏剧技巧 16-32 第一节 生活的戏剧 16-20 第二节 俄式戏剧语言 20-26 第三节 俄式人物 26-29 第四节 俄式幽默 29-32 第三章 奥氏民族戏剧成因 32-36 第一节 俄国戏剧传统 32-34 第二节 作家本人因素 34-36 结语 36-37 参考书目 37-40 后记 40 |
