| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，俄语毕业论文，下载原文正常，内容请直接查看目录。） 自己在研究生时代重要研究浪漫主义时代音乐,善于吹奏浪漫主义著作和技能性乐曲。此次音乐会曲目涵盖奏鸣曲、技能性乐曲、协奏曲,都是浪漫主义时代的代表著作,较完全的展现了小提琴的音乐表示力和技能。浪漫主义时代年夜约是1820--1920年间,即贝多芬早期--勋伯格晚期。作为文学思潮的“浪漫主义”开端于18世纪后半叶,强调艺术的情绪价值、艺术美的享用要胜于感性,与古典主义绝对,一方面临中世纪充斥情感,一方面酷爱年夜天然。音乐作风声张特性,强调平易近族主义不雅念,特别是浪漫主义早期。从详细的音乐要素上看：1.文体上打破了古典主义程式化的限制,涌现了题目音乐、多乐章交响乐、单乐章的交响诗和特征小曲。2.旋律乐句不受固定情势束缚。3.和声的构造停止了扩大,不协和和弦更自在的运用。4.调性经常使用半音转折衷远关系转调,而且常有调性暧昧不清的感到。5.力度强弱比较的幅度成为这个时期的特色,成为表示情绪张力的一个主要元素。6.曲式构造自在多变,作曲家只重视内容和客观的表示,而非严厉依照古典主义时代的曲式逻辑成长。勃拉姆斯是德国音乐史上最初一个有严重作用的古典主义作曲家,同时又首创了浪漫主义先河,被视为19世纪浪漫主义音乐时代的“复古”者。他是创作与吹奏偏重的作曲家,但他没有进过音乐黉舍,靠他本身的勤恳勤学、他的卓著能力和对本身所献身的事业主要性和需要性的觉醒。他的成熟的著作证实了他控制着登峰造极的艺术技能和才干。他的著作兼有古典法和浪漫精力,少少采取题目,交响著作中模拟贝多芬的气概巨大,但是笔法工巧,情感变更多端,时有农歌气味的吐露,仍带有本身特色。肖松的《音诗》所表达的是一首悲凉而失望的故事。肖松的这首著作是看到了尼古莱·戈戈尔所写的“蒲月之夜”所遭到的启示而写成的,这个故事是描述了在俄国农人中传播的有关魔鬼的传说。作者深深的被这首恐惧的传说所描写的各类情感变更所激动,这首传说把各类不安静的情况出现在听众眼前,同时又表达出了诗普通的亲热情感。柴可夫斯基的小提琴协奏曲是浪漫主义时代最具代表性的小提琴著作之一。这部著作写于俄国各类艺术的全盛时代。它固然在很多处所都具有交响乐的性质,但总的来说照样一部抒怀的歌曲,就是在技能性的乐句中,也不掉失落它的抒怀性。它表达了俄国反动前所涌现的那种伟大的诗意的伤感。在乐队乐句中所表示出来的勇敢气势,在平易近歌一样的乐段中所表示出来的抒怀性,和全曲所表示的伟大戏剧后果,固然有很多平易近族乐派特色,但它现实上是一部国际性的浪漫主义的著作。吹奏这部浪漫主义著作,必需经由过程练习有素的吹奏法,把各个乐句乃至全曲均匀地表达出来。 Abstract: Oneself in the era of master's Graduate School of romantic music, is good at playing romantic music and skills. The concert repertoire covers Sonata, skill music, Concerto, are the romantic era of the representative works, the more complete the violin music, said the force and skills. The romantic age is about 1820 - 1920 years, that is, the early Beethoven - Schoenberg. As a literary trend of thought, "romantic" beginning in eighteenth Century after the second half of the emphasis on the emotional value of art, artistic beauty to enjoy better than the emotional, and classical, a party facing the middle ages is full of emotion, on the one hand, love the nature. Music as the wind of the characteristics of the wind, the emphasis is not on the concept of nationalism, especially the early romantic. With the musical elements from the point of view: 1. Style broke the stylized classical limit, emerged title music and movement symphony, in one movement, symphonic poem and feature ditty. 2 melodic phrase is not fixed the situation bound. 3 the construction of the harmony has stopped expanding, and the application of the harmony and the chord is more comfortable. 4 tone often use chromatic turning Zhong far relationship transfer, and often feel ambiguous tonality. 5 strength and weak compared to the extent of the characteristics of this period, as a major element of emotional tension. 6. Musical form freely changeable, composer only pay attention to the content and representation of the objective, rather than in strict accordance with the age of classicism musical logic growth. Brahms is the German music history of the first ever have a serious impact on the classical composer, at the same time, the first romantic precedent, is regarded as the nineteenth Century romantic music era of "retro". He is the emphasis on the creation and playing composer, but he did not go to school of music happen and depend on his own studious, his outstanding ability and of their dedication to the cause of and need of awakening. His mature works confirmed his control of artistic skills and abilities reach the peak of perfection. His work has both classical and romantic energy, little take title, symphonic works in simulation of Beethoven's spirit great, but writing handicraft and emotional change multiterminal, smell of farming songs reveal, still with itself characteristics. Xiao Song's tone poem "expression" is a sad and disappointed story. Chausson's this first work is seen Nikolai Gogol wrote "Pu moon night" by the enlightenment and written, the story is described in Russian farmers spread the devil legend. The author is deeply moved by the story of the legend of this fear, the story of the legend of all kinds of quiet situation in front of the audience, but also to express the feelings of ordinary intimacy. Tchaikovsky's Violin Concerto is one of the most representative works of the romantic era. This work was written in Russian all kinds of artistic heyday. Although it in many places are with the symphony of nature, but the total is still a lyric song is in the skills of the phrases, also can not afford to lost its lyric. It expresses the great poetic sentiment that has emerged before the Russian Revolution. In band phrase expressed brave momentum, folk songs in the same passages expressed the lyric, and the whole song is represented in the great drama of consequences, of course, there are a lot of ethnic music characteristics, but it actually is a international romantic works. Playing the romantic works, must through the process of practice of playing methods and to each phrase and the song expressed in a uniformly. 目录: |
