| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，俄语论文，下载原文正常，内容请直接查看目录。） 本文针对拉赫玛尼诺夫《音乐会练声曲》,对其《音乐会练声曲》的演唱请求停止考源和对其著作研究的心得感悟。谢尔盖·瓦西里维奇·拉赫玛尼诺夫(1873-1943)是20世纪上半叶有名的俄国作曲家、批示家、钢琴家。《音乐会练声曲》创作于1912年,著作op.34是拉赫玛尼诺夫的艺术歌曲中最有名的著作之一,也是他独一的一部音乐会练声曲,这首著作是为其时俄国有名抒怀花样女低音涅日丹诺娃量身定做的。拉赫玛尼诺夫《音乐会练声曲》充足地施展音乐会练声曲这一文体的演唱请求,和带有俄罗斯神韵的幽美旋律。本文起首经由过程对拉赫玛尼诺夫《音乐会练声曲》的音乐配景及艺术特征停止长篇大论的总结性引见。然落后一步对《音乐会练声曲》的演唱请求特色和声乐演唱技能的难度控制及处理手腕停止阐析。重点针对“a”母音的运用、肇端音的主要性、呼吸的运用、气味的掌握,连音、装潢音的演唱处置、声响力度的掌握、脸色记号的运用等,和对著作的演唱分段掌握和诠释作以梳理停止论述剖析。最初对拉赫玛尼诺夫《音乐会练声曲》的声乐魅力停止心得领会,同时为使更多的专业演唱及声乐教授教养对这一文体有更多的存眷,并供给必定的实际根据。为完善的诠释该著作做实际与技巧上的预备,既对归纳拉赫玛尼诺夫这首著作起到指点感化,也对深刻研究音乐会练声曲起到优越的增进感化。愿望经由过程更多的研究及理论使音乐会练声曲这一文体的运用不只能作为练习声响的好手腕又能作为音乐会演出唱的优良曲目。在研究进程中,笔者懂得到国际有关音乐会练声曲成长及运用的研究还甚少,对拉赫玛尼诺夫《音乐会练声曲》声乐演唱方面的研究发掘根本上处于空白状况,所以笔者试图从这一新的视角动身解析其学术价值。笔者的年夜胆设法主意,须要更多声乐进修者和声乐教员赐与足够的看重和支撑,对其价值停止更进一步发掘,更好的运用到声乐进修中来。 Abstract: This paper to Rachmaninoff's "concert vocalise", singing the "concert vocalise" request stop reference source and the work study experience feeling. Sergei Vasilievich Rachmaninov (1873-1943) is a famous Russian composer, composer and pianist in the first half of twentieth Century. The creation of the concert vocalise "in 1912, the works Op.34 is one of the most famous works of Rachmaninoff's art songs, and he only a concert vocalise, this piece is meantime the famous Russian Lyric pattern contralto Nieridannuowa tailored. Rachmaninoff "concert vocalise" sufficient to cast request concert vocalise the style of singing, and with Russia charm of the beautiful melody. In this paper, first of all, through the process of Rachmaninoff "concert vocalise" music scene and artistic characteristics of stop lengthy summary introduction. Ran behind the step of the concert vocalise "singing request features and singing skills of the difficulty of control and treatment of wrist stop elucidation. Mastery of the key application for the vowel "a", Zhongjun and sound, breathing the application, the smell, legato, decoration sound of singing disposal, sound intensity of master, face mark application, and on the work performed piecewise master and construed as to sort out this paper analyse. Initially to Rachmaninoff's "concert vocalise" vocal charm stop experience understand, at the same time to make more professional singing and vocal music teaching, this style of more concern, and provide a certain theoretical basis. To improve the interpretation of the works do practice and preparation techniques, both on induction of Rachmaninoff's this first work play a guiding role, the profound research concert vocalise to superior stimulative effect. Desire through more research and theory of the application of this style of concert vocalise not only as a sound practice good wrist and as concert singing excellent repertoire. In the course of the study, I know what to international concert vocalise growth and application research is so little, mining research of Rachmaninoff "concert vocalise" vocal music is basically in blank condition, so I tried to from this new perspective analysis of its academic value. The author's idea of the eve of the gallbladder, the need for more vocal music teachers and vocal music teacher given with enough value and support, to its value to stop further excavation, better application to the vocal music education. 目录: 摘要 5-6 ABSTRACT 6 第一章 绪论 8-14 一、引言 8-10 二、探讨意义与目的 10-11 三、国内外探讨近况 11-14 第二章 拉赫玛尼诺夫生平和《音乐会练声曲》创作背景 14-17 一、拉赫玛尼诺夫生平 14-15 二、拉赫玛尼诺夫《音乐会练声曲》创作背景 15-17 第三章 拉赫玛尼诺夫《音乐会练声曲》的演唱技法 17-31 一、演唱拉赫玛尼诺夫《音乐会练声曲》的气息与发声要求 17-22 （一） “a”母音的应用 17-18 （二） 乐句起始音的重要性 18 （三） 旋律中声区的统一、声音的连贯性 18-19 （四） 乐句中气息控制的处理 19-22 二、拉赫玛尼诺夫《音乐会练声曲》的演唱要求 22-24 （一） 没有间隔的连音演唱训练 22 （二） 装饰音的特殊处理 22-24 （三） 声音力度的把握 24 三、拉赫玛尼诺夫《音乐会练声曲》表演的处理法 24-31 （一） 著作的谱面略论 24-28 （二） 著作的演唱略论 28-31 结论 感悟拉赫玛尼诺夫《音乐会练声曲》的声乐魅力 31-36 一、感受音乐内涵 32 二、提高演唱技巧 32-33 三、情感表现刻画 33-34 四、艺术地歌唱 34-36 参考文献 36-37 致谢 37-38 附件 38 |
