| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 德国人于19世纪20年月创造的手风琴活着界列国得以普遍流传。因为这件键盘类和声乐器的便携性及其在独奏、合奏、自力伴奏和露天吹奏、游动吹奏等方面的普遍实用性，它在列国的成长中都构成了分歧于其他乐器的艺术特征和文明特质。这一特征乐器在俄罗斯和在中国的流传成长进程中更因两国类似又相异的社会、政治、文明配景而构成了有同有异的奇特的手风琴文明。本文恰是对这一异样是外来乐器的手风琴在俄罗斯和在中国所阅历的分歧际遇及各自构成的奇特文明景象所作的比拟研究。本论文主体分为五章：第一章对中、俄两国手风琴艺术的成长过程分离停止了归纳综合性回想，个中特别对俄公民间乐器工匠们若何对这一外来乐器停止改制而发明出键钮式“巴扬”手风琴的进程和“巴扬”若何成为俄罗斯平易近族乐器的代表停止了较为具体的概述；同时也敌手风琴传入中国后最后若何遭到萧条尔后来在新中国社会、政治、文明情况作用下获得推行和成长等一系列进程停止了较为具体的综述。第二章对中、俄两国敌手风琴这一外来乐器若何停止平易近族文明认一致成绩停止了比拟研究，俄语毕业论文，侧重敌手风琴乐器、乐曲和扮演在两国若何阅历了音乐的平易近族化进程做了比拟性案例的剖析。第三章对是中俄手风琴艺术成长进程中汗青与政治情况若何对其发生深远作用所做的研究，重点对俄罗斯巴扬手风琴若何从平易近间流传到国度认同为平易近族乐器的政治意味寄义和中国手风琴艺术若何借助特别政治文明配景由国度行政力气自上而下推行流传的社会文明意义停止了较为深刻的剖析。第四章对中、俄两国手风琴曲目和手风琴合奏曲创作停止了比拟研究，俄语论文，个中重要对两国代表性作曲家李遇秋和柴金的创作停止了比拟剖析，进而商量了两国在手风琴著作创作理念上的差异。第五章是对中俄两国手风琴艺术教导系统的研究，重点比拟了中、俄两国高级音乐院校手风琴扮演专业的教授教养内容、教授教养理念、教授教养评价和教导理论等环节，进而对这一特征乐器的传承系统和成长远景在两国的差异停止了比拟性剖析。总之，本文是容身于平易近族音乐学比拟研究的新视角，将统一件特征乐器置于中、俄两国各自分歧的社会汗青文明配景中停止的跨文明比拟研究。文中经由过程多视角的剖析和比拟，从音乐流传学、音乐政治学、音乐社会学、音乐教导学、外来乐器的平易近族认同及音乐平易近族化等方而，提出了笔者的一系列学术论见。 Abstract: The Germans in nineteenth Century 20 years to create the world of popular accordion. Because the keyboard harmony musical instrument of portability and solo, ensemble, independent accompaniment and playing in the open air, swimming playing the universal practicability, it in the growth of the nations constitute the differences to other instruments of the art features and cultural characteristics. The characteristics of musical instruments in Russia and in the process of growth in more Chinese spread because they have similar and different social, political, and cultural background which is different in the fancy accordion civilization. This paper is precisely on this strange is exotic instruments accordion in Russia and in China have experienced different encounters and form their own unique cultural phenomenon of comparative study. The main body of this thesis is divided into five chapters: first chapter of Chinese and Russian accordion art growing separation process to stop the synthesis of recall, medium particularly on Russian folk instruments craftsmen how of this exotic instruments stop restructuring invented a style buttons "Bayan accordion in process and" Bayan "how to become the Russian plain near family of musical instruments on behalf of detailed overview of; also adversary organ after it was introduced into China finally, how was depression later in Chinese society, politics, civilization influence obtained implementation and growth and so on a series of process to stop the detailed review. The second chapter of Chinese and Russian rival organ the exotic instruments how to stop plain near national cultures recognize consistent results of a comparative study, focus adversary organ musical instruments, music and play in two countries how to experience the music of the plain near family process do comparative analysis of the case. The third chapter of Sino Russian accordion art in the growing process of history and political situation how the occurrence far-reaching research, focusing on the Russian Bayan accordion how from folk spread to national identity for plain near family of musical instruments of political means to send righteousness and Chinese accordion art how to use special political cultural background by the state administrative effort from top to bottom implementation of spread of the significance of social civilization has carried on the profound analysis. The fourth chapter of China, Russia bilateral accordion tracks and accordion ensemble music creation of a comparative study, what's important to represent the two composers Li Yuqiu and Chai Jin's creation has carried on comparative analysis, and then discuss the two countries in the accordion works of creative ideas on similarities and differences. The fifth chapter is the research on the Sino Russian accordion art teaches the system, the key comparison in, Russia between senior music colleges and universities accordion playing professional teaching content, teaching philosophy, teaching evaluation and teaching theory link, and on the transmission of the characteristics of musical instruments and growth prospects in the similarities and differences between the two countries stop the comparison analysis. In short, this is shelter in folk music, comparative study of new perspective, will be unified characteristic instruments placed in Russia and China different social historical and cultural background of cross-cultural comparative study. In this paper through process and multi angle analysis and comparison, from music popular science, music, politics, sociology of music, music teaching guidance, foreign musical instruments of the plain near national identity and music plain near family party and put forward on the author of a series of academic. 目录: |
