神话原型的平行对应与置换变形一福克纳《押沙龙,押沙龙!》原型探讨[俄语论文]

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深受宗教文明作用的威廉·福克纳在《押沙龙,押沙龙!》中不只借用了《圣经》中“押沙龙”的故事,并且再现了希腊神话故事中对于俄狄浦斯家族的故事,这使小说不只具有了《旧约》的原始颜色,也披上了希腊神话般的喜剧颜色。运用荣格和弗莱的原型实际,本文作者试图从神话的角度来解读小说中《圣经》押沙龙和希腊神话中俄狄浦斯的原型。对于原型的具体剖析重要有两部门。第一部门重要剖析了小说中分歧的圣经原型和原型的变形。经由过程对原型和原型变形的剖析,本文作者展示出了圣经原型对小说主题构想的主要性。第二部门起首找出了希腊神话中俄狄浦斯故事与小说《押沙龙,俄语论文网站,押沙龙!》的平行对应,然后再现了作者威廉·福克纳对于原型置换变形的才能,最初本文作者剖析得出希腊神话故事中的原型对于小说主题构想的主要性。

Abstract:

By the influence of religious civilization of William Faulkner in Absalom, Absalom! "Not only borrowed the Bible in charge Salon" story, and represent the story of Oedipus family in Greek mythology, which makes the novel not only has the "Old Testament" primitive color, also put on the Greek myth of the comedy color. Application of Jung and Frye's actual prototype. In this paper, the author tries to from the perspective of mythology to interpret the novel in the Bible charge the prototype of the salon and the Greek myth of Oedipus. About the specific analysis of the prototype has two departments. The first division is an important analysis of the differences in the fiction of the biblical prototype and the prototype of the deformation. Through the analysis of the prototype and the prototype, the author shows the main idea of the biblical prototype to the theme of the novel. The second part first found the Greek myth of Sino Russian Oedipus story and novel Absalom, Absalom! "The parallel and reproduction of the author William Faulkner on archetype displacement deformation ability. Originally in this paper, the author analysis obtained in Greek Mythology Prototype on the idea of the theme of the novel.

目录:

中文摘要   5-6   Abstract   6   Introduction   10-13   Chapter One William Faulkner and Absalom,Absalom   13-32       1.1 William Faulknet and His Major Works   13-21       1.2 Absalom,Absalom! and the M ain Criticism Concerming It   21-26       1.3 Archetypal Criticism   26-32   Chapter Two Biblical Archetypes in Absalom,Absalom   32-58       2.1 Parallel Correspondence between David Family and Sutpen Family   33-43           2.1.1 Biblical Figures   34-37           2.1.2 The Incest Archetype   37-40           2.1.3 The Fratricide Archetype   40-41           2.1.4 The Redemption Archetype   41-43       2.2 Transmutation and Displacement of Biblical Archetypes in Absalom, Absalom   43-55           2.2.1 Onentation of "Absalom" in the Novel   46-49           2.2.2 The Motive of Incest   49-51           2.2.3 The Motive of Fratricide   51-52           2.2.4 The Relationship between Father and Sons   52-55       2.3 Significance of the Biblical Archetypes to the Conception of the Novel   55-58   Chapter Three Greek Mythological Archetypes in Absalom,Absalom!   58-78       3.1 Parallel Correspondence between Oedipus Family and Sutpen Family   59-67           3.1.1 Archetypal Figures and Plots   60-61           3.1.2 The Inverted U-shaped Narrative Pattern:Rise and Fall of the Family   61-64           3.1.3 Archetype of Orignal Sin and Divine Retribution   64-65           3.1.4 Archetype of Falling out between Father and Son   65-67       3.2. Transmutation and Displacement of Greek Mythological Archetypes in Absalom,Absalom   67-74           3.2.1 Intentional and Unintentional Actions of Oedipus and Thomas Sutpen   68-69           3.2.2 The Reason of Rise and Fall of the Family   69-71           3.2.3. The Reason of Original Sin and Divine Retribution   71-72           3.2.4 The Reason of Falling out between Father and Sons   72-74       3.3 Significance of the Greek mythological Archetypes to the Conception of the Novel   74-78   Conclusion   78-80   Notes   80-85   Bibliography   85-91   在学期间的探讨成果   91-92   Acknowledgements   92  

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