| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 本文重要阐述了俄罗斯传统圣像画的来源、成长和它的装潢特点。圣像画来源于拜占廷，并在拜占廷获得必定的成长。公元988年，古罗斯的基辅公国皈依了基督教，圣像画这类艺术情势也随之传入俄罗斯，俄语论文题目，并与俄罗斯的平易近间艺术相联合，在历代艺术家、画匠的不懈尽力下，俄语论文网站，逐步构成了其明显的装潢特点。圣像画在俄罗斯传统艺术中占领很年夜的比重，经由过程对它的研究，有助于我们懂得俄罗斯艺术成长的头绪，本文力图归结出俄罗斯圣像画的装潢特点，以期对圣像画这一艺术情势有更深条理地熟悉。 Abstract: This paper expounds the important traditional Russian icon painting the origin, growth and its decoration features. The icon painting from the Byzantine, and will grow in byzantium. In 988 ad, the ancient Ross of Kiev converted to Christianity, this kind of icon painting art form was also introduced to Russia, and Russia's and near the combination of art, artists, in the unremitting efforts of the painter, gradually formed the obvious characteristics of decoration. Icon paintings occupy a very large proportion of traditional art in Russia, through the process of its study, helps us understand about Russian art development, this paper sums up the characteristics of Russian icon painting decoration, with a view to this icon painting art form has a deeper understanding. 目录: 摘要 4-5 英文摘要 5 前言 6-9 正文 9 引言 9-10 第一章 圣像画的起源 10-12 第二章 东正教的历史 12-14 第三章 拜占廷的圣像艺术 14-16 第四章 中世纪的俄罗斯圣像画艺术 16-28 第五章 圣像画的题材 28-32 第六章 圣像画的装饰特征性 32-42 一. 装饰性的色彩 33-34 二. 装饰性的构图 34-37 三. 圣像画的透视 37-42 参考文献 42 |
