| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 俄罗斯平易近间故事作为一种主要的平易近间文学文体,聚集了通俗庶民的思惟与聪明,因其丰硕的思惟价值与奇特的美感而别具一格。对俄罗斯平易近间故事的研究由来己久,并已获得了一系列主要结果,包含对其艺术特点的剖析与归结。本文测验考试对这一成绩的实际和应用意义做进一步论析,并试图经由过程对俄罗斯平易近间故事的构造和说话特色的具体描写,进而提醒俄罗斯平易近间文学的艺术魅力。本文旨在从实际和应用层面考核俄罗斯平易近间故事的艺术特点,详细义务为：●概述其构造特色●论析其构造组成要素●剖析其辞汇等典范说话手腕●归结经常使用的修辞手腕本文的现实材料起源于俄罗斯平易近间故事集,个中包括阿·托尔斯泰、阿法纳西耶夫、涅恰耶夫等作家的著作。本文彩用的重要研究办法是联合相干实际对说话资料停止剖析、归类、罗列和阐释。全文由引言、本论(共两章)、结语和参考文献四部门组成。引言部门不只指出了选题的实际意义,并且肯定了本文的研究目的、重要义务、研究手腕,同时还解释了其实际和适用价值。第一章旨在说明俄罗斯平易近间故事的构造特点。本章剖析了却构的组成要素,阐释了空间与时光对构建平易近间故事的特别感化和意义。虽然俄罗斯平易近间故事的论述措施纷纷多样,但就其构造框架而言有着某种定式。个中收场白起着活泼现场氛围,调剂听众情感的感化；引子则交卸故工作节产生的时光所在和重要人物,并将听众从实际世界带入虚拟的故事世界；楔子存在于一部门植物故事中,它暗示故事内容的开始,为故工作节供给根据,展现人物行动的配景；故事终点是情节内容的症结,在这里讲述人既要把业已存在的抵触做一番交卸,有时乃至还要有意制作情节抵触；假如说收场白和引子是在营建故事气氛,那末序幕则是将听众从故事气氛拉回到实际世界。俄罗斯平易近间故事中的空间与时光具有虚幻性和不肯定性,特殊是魔幻故事里的空间辽阔无边,通俗人难以企及。不管是空间照样时光,都给听众形成一种非真实的心思暗示,这相符听众对艺术时空的感知,由于听众老是等待可以或许在纷歧样的时空里完成本身对实际世界的理想。第二章重点考核俄罗斯平易近间故事中的典范说话手腕。俄语中所独有的各类说话手腕在俄罗斯平易近间故事中被年夜量运用,它们不只加强了故事的表达力,并且使讲述显得加倍活泼生动。重复、夸大、润饰语、比方都是平易近间故事中经常使用的修辞手腕：重复付与故事说话以音乐感、韵律感及表示颜色；夸大在很年夜水平上突显了被描写事物和景象的特征,使其富有情感特点,并营建出极具沾染力的故事论述口气；润饰语则增加了故事说话的美学颜色,具有奥妙的描述和表达功效,凸起了被描述事物的艺术特征；比方在塑造人物抽象的进程中经常会给听众留下深入的印象。除此以外,故事说话在作风上更接近白话,其辞汇特点重要表现在指小表爱和各类昵称的普遍运用上,其言语情势则表示为年夜量运用对话言语。结语对全文停止简要总结。我们以为,俄罗斯平易近间故事是一种主要的平易近间文学文体,其内容反应了百姓庶民的思惟与聪明,其表达情势在俄罗斯平易近间文学款式中标新立异。特别是对构造情势和说话特点的考核,再次证实了故事文体在俄罗斯平易近间文学中具有特别的位置和极高的艺术价值。 Abstract: Russian folktales as a main plain in the literary style, gathered popular thinking and clever, because of its rich ideological values and strange beauty and unique. A series of main results have been obtained in the study of the story of the Russian people, including the analysis and resolution of their artistic characteristics. In this paper, the test of the results of the actual and practical significance to do further analysis, and attempts through the process of the construction of the story of the Russian people and the specific description of the characteristics of speech, and then to remind the Russian people's literary charm. This thesis, from the actual and the use of the artistic features of the evaluation levels of Russian folktales, with obligations:] outlines its structure characteristics] on the analysis of its structural elements] to analyze the speech exchange model speak boils down to the wrist] often use rhetoric means the reality material origin in Russian folk tales set, including a Tolstoy, afanasyev, Nechayev, writer's works. The important research method of this paper is to analyze, classify, list and explain the speech data by the combination of the coherent theory. The full text consists of four parts: introduction, this thesis (two chapters), conclusion and reference. The introduction not only points out the practical significance of the selected topic, but also confirms the research purpose, the important obligation and the research method of this paper. The first chapter aims to explain the structural characteristics of the Russian story. Elements of this chapter analysis the structure and interpretation of the time and space for the construction of the special role of folk stories and meaning. Although there are various ways of discussing the story of the Russian people, but there is a certain type of structural framework. Pull back to the atmosphere of the story is the prelude of the end of story construction; according to the story and so the medium end Baiqi lively atmosphere of the scene, adjust the audience emotional effect; primer to relinquish his work section of the time where the important characters and the audience from the real world into the virtual world; wedge exists in a sector plants in the story, it suggest a story content, so it is the working day supply, to show the action figures with King story end is episodic content crux here tells people to the already existing conflict do a lot is taken off, and sometimes even but also intends to make a plot conflict; if the epilogue and primers is in the atmosphere, the audience from the real world. Russian folktales in space and time is illusory and uncertainty, the special is the story of magic in the space is vast and boundless, ordinary people difficult to match. Either space or time, to the audience to form a kind of non real thoughts, which is consistent with the perception of the art of space and time, because the audience is always waiting to be able to complete itself in a different kind of time and space to the actual world of the ideal. The second chapter focuses on the evaluation of the story of the Russian people in the story of the wrist. Russian in all kinds of words in the Russian people's wrist in the story of the eve of the amount of application, they not only strengthen the story of the expression, and make it more lively and vivid. Repetition, exaggeration, modifiers, for example, is a folk story is often used in the rhetorical wrist: repeated entrusts with the story speaks with a sense of music, rhythm and color; exaggerated on the very big level highlights the described the characteristics of things and scenes, which make it rich in emotional characteristics, and builds a very infectious story discusses tone; modifiers increased stories speak of color esthetics, with subtle description and expression efficiency, raised the described the art characteristics of things; for example, in shaping the characters in the image of the process often will leave a deep impression to the audience. In addition, the story speaks in the style of the more close to the vernacular, its vocabulary characteristics of important performance in the small table of love and the universal application of all kinds of nickname, the situation is expressed as the amount of speech. The conclusion of the full text of a brief summary. , we think, Russian folk tales is a kind of main folk literature style, its content reaction the ordinary people's thoughts and wisdom, the expression situation in Russian folk literature styles winning new innovation. Especially for the construction of the situation and the characteristics of the assessment, once again confirmed that the story style in the Russian literature has a special location and high artistic value. 目录: |
