摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，西语论文网站，内容请直接查看目录。） 曼努埃尔·普伊格是拉美文学“后爆炸”中突起的阿根廷小说家。1932年出身在阿根廷的布宜诺斯艾利斯，1956年年夜学卒业后去罗马攻读片子导演专业，卒业后曾担负过几部影片的助理导演，回国后从事片子脚本的创作和片子摄制任务，60年月中期普伊格开端从事文学创作。《蜘蛛女之吻》是普伊格的第四部小说，这无疑是他一切小说中作用最年夜的一部。在1976年揭橥后，西语毕业论文，被译成多种文字，并改编成片子。万能论述者的消逝，取而代之的是主人公之间年夜量的对话、心坎独白、各类情势的申报和年夜量浅显文学情势的运用使其锋芒毕露，成为他的一部极具代表性的著作。小说以两位主人公的对话为主线索，慢慢展示出他们的心坎世界，拨动了埋藏在他们认识深处的心弦，从正面剖露了阿根廷社会的实际。作者以主人公论述片子故事的办法，一方面提醒了力争转变社会的反动者的庞杂的心坎世界，另外一方面又从社会、心思和心理诸方面多条理地略论了异性恋这个日趋惹起人们看重的社会成绩。本文侧重剖析莫利纳这小我物抽象，从他的特别身份（小说的外部论述者，异性恋者）动手，再到剖析他与片子的关系（片子的讲述者，片子人物的模拟与超出）和最初探访他的恋爱之路（爱的追随、迷掉到最初的涅槃）。在对莫利纳和这部小说论述构造的深刻剖析的同时，我们也懂得到了作者普伊格自己文学创作的独有作风，他小我对一些社会成绩的意见和作者自己的人生不雅和价值不雅。 Abstract: Manuel Puig is a Argentina novelist in the post explosion of the Latin American literature. Born in 1932 in Argentina, Buenos Aires, 1956 years after graduation from college went to Rome to do a film director professional, after graduation was an assistant director of several films, film script creation and engaged in film production tasks after returning to the mid 60's puyg beginning in literary creation. "Kiss of the Spider Woman" is puyg's fourth novel, this is definitely one of all his novels have the biggest impact on the. In 1976 reveal, have been translated into many languages and adapted into movies. It is the universal die, it should be replaced by the declaration and a large amount of popular literature situation Nianye hero dialogue between heart and monologue, all forms of the hard-edged, became one of his most representative works. In the novels of the two protagonists dialogue as the main clues, slowly show their inner world, a deep understanding buried in their hearts, from the front to expose the actual situation of Argentina society. The author discusses the film story with the hero to hand to remind the insurgents strive to change the social complex inner world, on the other hand, from the social and psychological aspects of mind, multi-level analysis of the heterosexual cause people increasingly valued social performance. This paper focuses on the analysis of the character of Molina abstract, from his special identity (novel external arguer, heterosexual) hands, then to analyze his relationship with the film (film narrator, characters and Simulation of film and beyond) to visit his first love (love, follow the road lost to the original Nirvana). In the Molina and this novel discusses the profound analysis of the same time, we also know that the author Puig's own literary creation of the unique style, his personal views on some social achievements and the author's own life and value. 目录: RESUMEN 9-10 摘要 10 INTRODUCCIóN 12-20 CAPíTULO I LA PERSONALIDAD ESPECIAL DE MOLINA 20-39 1.1 El narrador interior de la novela 20-24 1.2 Molina: el homosexual --- la encarnación del mismo autor 24-39 1.2.1 Los a os terribles mantenidos hostiles a los homosexuales 25-27 1.2.2 Molina: en su cuerpo vive una mujer 27-34 1.2.3 Discusiones acerca de la represión sexual y la liberación sexual 34-39 CAPíTULO II LA CORRELACIóN ENTRE MOLINA Y EL CINE 39-50 2.1 Molina: el que narra, imita y sobrepasa las figuras fílmicas 39-45 2.2 Las películas--puente sentimental entre los dos protagonistas 45-50 2.2.1 El conflicto en cuanto a entender e interpretar las películas 45-47 2.2.2 La convergencia de las interpretaciones 47-50 CAPíTULO III EL CAMINO HACIA EL AMOR 50-62 3.1 Búsqueda y pérdida en el amor 50-52 3.2 Realizando su valor luchando por amor 52-62 3.2.1 El edén del amor: la celda 52-57 3.2.2 El nirvana de la mujer de ara a: el cumplimiento del sue o y de la libertad 57-62 CONCLUSIóN 62-69 NOTAS 69-72 BIBLIOGRAFíA CONSULTADA 72-74 |
