一无所获中的女性“第二性”形象The women have gained nothing "secondary" image 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，西语论文题目，内容请直接查看目录。） 1944年，只要23岁的卡门·拉福雷特凭仗小说《一无所得》摘得年度小说年夜奖纳达尔文学奖。其时正值西班牙内战后，佛朗哥专制政权采用了限制女性成长的高压政策，在上帝教强势文明的框架下，她们的重要运动仅限于家庭外部，重要目的是成为“贤妻良母”。从如许的社会配景动身，西语论文，一些评论以为《一无所得》作为一部由女作家写就的，重要人物亦是女性的小说，反应了战后女性位置的不屈等和对弗朗哥政权的训斥，闪烁着女性主义的辉煌。内部情况虽然主要，然则这篇论文重要从这部著作里的四位重要女性抽象动身，用波伏娃在《第二性》中所提出的实际，试图从另外一个角度解释在这个小说里，并没有表现女性的自我完成和觉悟，而是从思惟上或许经济上依靠于男性的第二性脚色。所以，卡门·拉福雷特的这部著作不克不及算作一部女性主义小说。 Abstract: In 1944, as long as 23 year old Carmen Laforet Pingzhang novel "nothing" won the annual big prize for fiction Nadal prize for literature. Meantime justwhen the Spanish Civil War, the Franco dictatorship the growth limiting women's high handed policy, in the Catholic civilization strongly framework and their important movement only on the outside of the home, the important objective is become "virtuous wife and good mother". Starting from such a social background, some of the comments that "nothing" as a by written by female writers and important character is also women's fiction, the reaction of the post-war feminine position of unyielding and the Franco regime reprimanded, flashing a brilliant feminist. Internal although mainly, however this thesis important from the Ministry of works in the four important women Abstract start with Simone de Beauvoir in "the second sex", the proposed practical, trying to from a different angle interpretation in the novel, there is no performance of female self completion and consciousness, but from thought perhaps economy rely on male secondary sex role. Therefore, Carmen Laforet's works cannot be regarded as a feminist novel. 目录: Abstract 3-4 中文摘要 4 Capítulo 1 Introducción 6-20 1.1 Una breve introducción de la autora y de la obra 6-9 1.1.1 Carmen Laforet 6-7 1.1.2 Nada 7-9 1.2 Revisión literaria 9-14 1.3 Justificación y metodología del trabajo 14-20 Capítulo 2 Andrea, una rebelde frustrada 20-43 2.1 Las rebeldías simbólicas 20-25 2.1.1 Los comportamientos rebeldes 20-22 2.1.2 La rebeldía contra el estricto control de Angustias 22-25 2.2 Su evasión de la realidad 25-43 2.2.1 La evasión entre dos espacios 25-29 2.2.2 La evasión por las relaciones sentimentales 29-43 Capítulo 3 Narcisismo, amor y dios: tres formas para justificar la existencia de la mujer 43-69 3.1 La narcisista: Gloria 45-53 3.2 La enamorada: la madre de Ena 53-59 3.3 La mística: Angustias 59-69 Conclusiones 69-75 Bibliografía 75-79 |
