通向主观真实之路一西班牙画家安东尼奥·洛佩斯油画浅析A Spanish painter Antonio Lopez oil painting on the road to subjective reality 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 西班牙画家安东尼奥·洛佩斯·加西亚（Antonio Lopez Garcia）是现实绘画的主要代表画家之一。在动乱的二十世纪，西语论文题目，在实际主义和后古代主义接踵而至的明天，以写实主义偏向作为本身艺术创作的偏向是不平常的。但洛佩斯却以他情有独钟的写实绘画答复了人们对于写实绘画毕竟在明天这电视，照片极其蓬勃的时期还有甚么意义的疑问。洛佩斯的艺术之路始于马德里，他的艺术创风格格年夜致阅历了“表示”、“魔幻”、“实际”三个阶段。在这些进程中洛佩斯思虑了现今写实绘画与传统写实绘画的关系，经由过程分歧时代对画面表示说话和艺术表示念头的思虑，逐步构成了本身艺术创作的原动力。洛佩斯也非常多的创作雕塑著作。他以为“绘画和雕塑艺术一向在两个极端之间彷徨掌握物理学意义上的人和懂得他的梦”。洛佩斯经由本身理论，找到了本身在绘画和雕塑之间的配合点。而比来几年雕塑创作已代替绘画成为洛佩斯重要的艺术创作门路。对于洛佩斯来说他的艺术最为主要的就是若何描写瞬息万变的事物的表面，与真实事物的原型吻合分歧，经由过程这些来到达主客不雅上的分歧，并将事物的刹时永久记载在画布上。以绘画措施提醒物象实体性存在的激烈诉求。洛佩斯的创作进程不克不及遇上时光的速度，这也答复了为何洛佩斯的一副油画要创作几年，有的乃至是十几年，然则经由过程画家直接的执着的专注的寻求所画对象永久刹时的这一幻想，赓续的在他的画布上积聚起视觉的体验，西语论文范文，让画面具有一种亲热可触摸的真实感而同时又具有某种奥秘感。这时候吸引画家的只剩下作画的进程。在热烈纷杂的当今，洛佩斯的艺术却那末孤单沉寂，但就是这个孤单的画家洛佩斯却能够是西班牙当今活着的最巨大的艺术家。 Abstract: Spanish painter Antonio Lopez Garcia (Lopez Garcia Antonio) is one of the main representative of the modern realistic painting. In the turmoil of the twentieth century, in realism and modernism ensuing tomorrow, to realism bias as their own artistic creation of bias is unusual. But Lopez has a special liking for his realistic paintings to answer people's questions about realistic painting after all, in the future, this TV, photos are extremely vigorous period of time. Lopez's art of the road began in Madrid, his art creation of the wind and the eve of the experience of the "said", "magic", "practical" three stages. In the course of Lopez considers the modern realistic painting and traditional realistic painting relationship, through the process at different times on the screen said talk and art idea of thinking, gradually formed the original motive power of the creation of art. Lopez is also very much in the creation of sculpture works. He thought that "painting and sculpture art has always been between the two extremes of the understanding of the physical meaning of the people and understand his dream". Lopez, through his own theory, found itself in the painting and sculpture between the point of cooperation. In recent years, sculpture has become an important artistic creation way of Lopez. Lopez is about his art is most main is how to describe the surface of changing things, and the reality of the prototype consistent differences, through all these processes to reach on the subjective and objective differences and the things the things you try hard to forget are already gone permanently recorded in the canvas. Remind the intense demands are substantial in painting method of images. Lopez's creative process cannot meet of time speed, which also answer why Lopez a painting to creating a few years, some even more than a decade. However through the process of artists for the persistent attention seeking paintings lasting instant of the fantasy, ceaseless on his canvas accumulation of visual experience, make the picture with an intimate touch of realism and, at the same time, with a sense of mystery. At this time to attract the artist's only painting process. In the warm and confused today, Lopez's art is so lonely, but it is the lonely artist Lopez is able to live in Spain is the greatest artist. 目录: 中文摘要 4-5 英文摘要 5 第一章 求学马德里与二十世纪初艺术环境 6-8 (1) 马德里之行 6 (2) 艺术环境给画家带来的作用 6-8 第二章 洛佩斯艺术的三个阶段 8-21 (1) 1955年前后的"表现" 8-9 (2) 1956年至1965年的"魔幻" 9-13 (3) 1965年后的"含蓄" 13-21 第三章 雕塑,"生命"主题的创作 21-24 (1) 洛佩斯的雕塑 21-22 (2) "生命"的永恒主题 22-24 附:《榲桲树的阳光》--洛佩斯《榲桲树》的创作过程 24-32 结语 32-33 致谢 33-34 注释 34 参考文献 34 |
