《流浪者之歌》的吉普赛因素"The Gypsy" song of the wanderer factors 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 在小提琴的成长汗青中，西班牙小提琴家、作曲家帕布罗.德.萨拉萨蒂(Pablode sarasate)无疑占领了一个主要席位。作为吹奏家，西语论文网站，他有着无限魅力的音色、非常准确的音准和残暴醒目的技能。而作为作曲家，他谱写的著作简直是一切小提琴年夜师们音乐会的必备曲目，特别是《卡门理想曲》、《西班牙舞曲》、《流落者之歌》等这些颇具吉普赛作风的著作。而今，笔者想侧重研究《流落者之歌》这部著作，这首萨拉萨蒂著作中最具代表性之一的著作。它以独具特点的幽美旋律和较高难度的吹奏技能风行于乐坛。因为自己是一位小提琴专业进修者，并且异常酷爱《流落者之歌》这部著作，西语论文题目，为了可以或许加倍透辟的懂得这部著作并将它吹奏好，所以有需要对其停止较为具体的懂得和研究。今朝我们可以或许汇集到的材料显示对于《流落者之歌》这部著作的研究照样比拟多的。然则，尽人皆知《流落者之歌》是一首表现吉普赛人的性情和生涯的著作，而我们能看到的在这部著作对于吉普赛身分与音乐相干系的研究简直是空白的。所以文章将从以下几个方面停止研究：1、萨拉萨蒂音乐中的吉普赛身分。萨拉萨蒂的创作与本平易近族的音乐有着莫年夜的联系关系，浪漫主义时代有着本身奇特的音乐特点，萨拉萨蒂的音乐著作是谁人时代的产品，同时也为谁人时代的音乐作风构成做出了进献。在他所处的浪漫主义时代，情况、文明、传承、配景，培养了他的奇特的艺术魅力，《西班牙舞曲》《卡门主题理想曲》都充斥着生气蓬勃的力气，他把西班牙平易近族传统音乐与创作相联合，把西班牙平易近族音乐中的弗拉明戈艺术施展的极尽描摹。让我们感触感染到吉普赛音乐就像是弗拉门戈，就像是卡门，就像是充斥光鲜性情魅力无限的浪漫情调。2、《流落者之歌》的吉普赛身分。吉普赛音乐作风与它的平易近族是有着千丝万缕的关系的。他们在分歧的国度有着各类叫法，可是岂论是被称为波西米亚人、弗拉门戈人、照样茨冈人，他们都有着激烈的、奇特的吉普赛平易近族特色。吉普赛人的无根性、贫苦的状态、流离转徙的生涯招致了他们性情中繁重的部门，他们的音乐里会充满的苦楚、哀怨的氛围，可是他们的生涯立场，在城市与村庄之间长年流落，不肯受任何拘谨的潇洒又决议了他们的性情带着一丝热忱豪放横冲直撞。年夜多半吉普赛作风的著作都有着雷同的特色：前半部门是迟缓的悲歌，衬着喜剧性的颜色，意在描写吉普赛人的边沿位置，充斥着忧伤、控告的情感。后半部门平日是舞曲情势，展示了吉普赛人开朗悲观的本性。（在第二章节，笔者会侧重评论辩论吉普赛音乐身分是若何在《流落者之歌》中联合表现的）。3、《流落者之歌》吉普赛作风吹奏技法剖析。在《流落者之歌》这部著作中，我们可以听到的许多技能都充足展现了吉普赛的身分。例如滑音，泛音，左手拨弦。这些小提琴的根本技能在这部著作中给我们展现的是吉普赛平易近族深邃深挚的，无处诉哀伤的浓重颜色。 Abstract: In the history of the development of the violin, the Spanish violinist, composer Pablo de Lhasa Pablode (Sarasate), no doubt occupied a major seat. As he has played, infinite charm of the sound, very accurate intonation and brutal striking skills. As a composer, he composed the works it is necessary all the masters concert violin repertoire great, especially the ideal "Carmen song", "Spanish Dance", "on the song" the gypsy style works quite. Now, I want to focus on "on the song" this works, the works of Sarah Sarti in one of the most representative works. With the unique characteristics of the beautiful melody and high difficulty skill in popular music. Because he is a professional violin learners, and very fond of "on the song" this work, in order to be able to understand this novel double crystal and it will play well, so there is a need to stop more specific to understand and research. We can come to the discussion on "on the material shows the song" this work still more. However, "known to all who wander song" is a song performed Gypsy temperament and career work, and we can see in this work on the Music Department of the gypsy identity and coherence is almost blank. So this paper will study from the following aspects: 1, Sarah Sarti in the music of gypsy identity. Sarah Sarti's creation and the music of the people have a connection with the relationship between the Mo, romantic era has its own unique music features, Sarah Sarti's music works is the product of the era, but also for the people who made a contribution to the era of music style. In the romantic era, culture, heritage, culture background, his unique artistic charm, "Spanish Dance" "Carmen theme song" ideal is full of vigorous effort, he put the Spanish national traditional music and the creation of the combination, the Spanish folk music. Flamenco art display incisively and vividly. Let us feel the music is like a gypsy flamenco, like Carmen, is full of romance as infinite charm bright temperament. 2, "on the song" Gypsy identity. Gypsy music style and its people are inextricably relationship. They are in different countries have various names, but it is known as the Bohemia people, and Matsuoka Hito still Flamengo, they have a fierce and strange Gypsy ethnic characteristics. Gypsy rootless, poor state, displaced by the heavy career sectors of their personality, their music will be full of bitterness, sad atmosphere, but their career position, between the city and the village for many years on, will not be any formal style of their temperament with resolution a bold rampage warmly. Most of the gypsy style works have the same characteristics: the front part is slow elegy, lined with comedic color, intended to edge position description of the Gypsies, filled with sorrow, charged with emotion. The second half of the dance department daily situation, showing the Gypsies optimistic nature. (in the second chapter, the author will focus on the discussion of gypsy music is how to reflect in the "identity on the song" in). 3, "on the song" Gypsy style of playing techniques. In "on the song" in this work, we can hear many skills are adequate to show the identity of the gypsy. For example, glide, overtone, left hand pizzicato. The violin's essential skills in this work is to show us the gypsy nationality deep color, strong sad nowhere v.. 目录: |
