拉威尔《波莱罗》作曲技法略论Ravel "Bolero" composing technique analysis 摘要:（摘要内容经过系统自动伪原创处理以避免复制，西语论文范文，西语论文题目，下载原文正常，内容请直接查看目录。） “波莱罗”原为西班牙舞曲名,平日以四三拍子、稍快的速度、以响板击打节拍来合营。情势上,由主部、中央部和再现部组成。拉威尔借用了“波莱罗”的题目,作了一首自在的舞曲《波莱罗舞曲》。本曲是拉威尔受有名跳舞家伊达·鲁宾斯坦拜托而作,是拉威尔最初的一部舞曲著作,是一部最优良的著作,同时又是二十世纪法邦交响音乐的一部佳构。波莱罗舞曲是一部广为传播的著作,其音乐的性质和同名舞曲其实不雷同,可是旋律的西班牙风味确切很浓,曲调的平易近民如同平易近歌。后来真的酿成了平易近间的旋律广为传播,乃至暮年的拉威尔在摩洛哥听到本地居平易近哼唱这支曲调时,马上激动得流了热泪。《波莱罗舞曲》可以说是拉威尔著作中的巅峰之作,他对这首乐曲充斥了自负。拉威尔在评论本身这件著作时已经如许说道“它是一首举措异常古代化的舞曲,旋律、和声与节拍完整同一,节拍由鼓声一直地突显出来,独一多变的身分是由管弦乐的逐步加强来表示的。”因为拉威尔的创作技法比拟庞杂,本文决议拔取《波莱罗舞曲》作为研究的动身点,联合社会配景,追溯拉威尔作风构成的渊源,经由过程本体论的略论,窥测作曲家本身作风的艺术幻想和美学寻求,重点剖析著作的作曲技法。本文经由过程研究波莱罗的作曲技能,重点以剖析波莱罗为基本剖析拉威尔的作曲技法的作风,并将配器作为剖析重点。经由过程研究不难发明,以后对于波莱尔作曲技能的剖析重要都从节拍、声调等方面停止剖析,对于配器的剖析很少,是以作者愿望经由过程这一比拟软弱的剖析环节动手,弥补这一研究空白。 Abstract: "Bolero" was originally a Spanish dance, weekdays to four three beats, slightly faster speed, to hit the beat the castanets. The situation is composed of the main part, the central part and the reproduction part. Ravel borrowed the "Bolero" title, as a free dance "Bolero". This song is ravel by famous dancer IDA Rubinstein please make, Ravel was originally a part of the dance works, is a most excellent works, at the same time, it is the 20th century French symphonic music a good structure. Bolero is a wide dissemination of the work, the music of nature and the eponymous dance music in fact, not the same, but melody Spanish flavour exactly is very thick, tune of human like folk songs. Later really lead to the plain near the melody is widely spread, and twilight ravel in Morocco hear local folk singing this song tune home immediately excited tears flow. "Bolero" can be said to be in the works of Ravel's masterpiece, he is full of conceit of this song. Ravel in itself to comment on this work has such said "it is a first move abnormal ancient dance music, melody, harmony and rhythm, complete the same, beat the drum has been highlighted, only changing the identity is by orchestral music gradually strengthen to represent." Because the creation techniques of Ravel's relatively complex, the resolution to adopt the "Bolero" as the starting point of the study, combined with social background and origin of back style of Ravel a, through the process of ontology theory analysis, spy composer style Fantasy Art and aesthetic seeking, focus on the analysis of the works of composing techniques. The through the discussion on the Bolero songwriting skills. The emphasis is to analyze the Bolero for basic analysis of Ravel's composing technique style and orchestration as focused on analysis. Through the argumentation process not difficult discovery, after on Borel composing skill analysis are important from the rhythm, tone analysis, analysis on orchestration rarely, is by the author wishes through the match analysis part of the weak hands, to make up for this gap in the research. 目录: 中文摘要 4-5 英文摘要 5 引言 8-9 第一章 绪论 9-12 第一节 探讨近况及问题的提出 9-10 第二节 作曲技法文献综述 10-11 第三节 本课题的主要探讨措施 11-12 第二章 拉威尔与波莱罗 12-17 第一节 波莱罗简介 12 第二节 拉威尔创作生平及其风格 12-14 一、拉威尔生平 12 二、拉威尔代表作 12-14 三、拉威尔的音乐风格 14 第三节 拉威尔与波莱罗 14-17 一、缘起 14-15 二、《波莱罗》的特点 15 三、《波莱罗》的成就 15-17 第三章 《波莱罗》著作略论 17-24 第一节 曲式略论 17-18 一、图示及略论 17 二、变奏与变奏曲 17-18 第二节 调式调性略论 18-20 一、混合调式 18-19 二、复合调性 19-20 第三节 和声略论 20-24 一、主持续和属持续 20-23 二、附加音和弦 23-24 第四章 《波莱罗》的配器略论 24-41 第一节 总述 24-26 一、配器概述 24-25 二、两个主题的配器变奏略论 25-26 第二节 各组乐器的应用及特点 26-38 一、木管组乐器 26-32 二、弦乐组乐器 32-35 三、铜管组乐器 35-36 四、打击乐器组和色彩性乐器组 36-38 第三节 织体 38-41 一、织体的概念和略论前提 38-39 二、《波莱罗》中的素描性风格织体 39 三、管弦乐中的复合织体的音响界定--“非功能性”音响 39-41 结语 41-43 参考文献 43-44 后记 44 |
