德彪西、拉威尔钢琴著作中西班牙风格的不同体现一略论比较《格拉纳达之夜》和《小丑的晨歌》Debussy, Ravel piano works in Spanish style reflects the different analysis compared the night in Granada, "and the clown of the morning songs 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，西语论文范文，西语毕业论文，内容请直接查看目录。） 德彪西和拉威尔这两位20世纪法国出色的印象主义作曲家,因受着雷同的社会情况、艺术思潮的作用,且在各自的创作上有着类似的技法,是以在他们的音乐著作中也会存在必定的类似性。特别在对异国音乐元素的运用,两位作曲家更是常常的在各自的著作中表现出了对这一方面的爱好。西班牙,这个鹄立在欧洲东北部的岛国,其外乡平易近族文明因遭到多种外来身分的冲击作用,具有多元性的特色,对于艺术家们在创作上而言,它更是披发出了奇特的吸引力与诱人的奥秘性。德彪西和拉威尔也绝不破例的被这异国风情所吸引。本文所剖析的《格拉纳达之夜》和《小丑的晨歌》,是两位作曲家分离在1903年和1905年创作完成的著作,作曲家们在两首著作中都运用了西班牙的平易近族音乐元素,使著作披发出浓浓的西班牙风情。两首乐曲都是作曲家们成熟时代的著作,具有代表性。本文重点所要提醒的是,德彪西和拉威尔即便都运用了雷同的西班牙音乐元素,但因着他们在创作上所具有的特性特色,使得西班牙作风在各自的著作中有着分歧的表现。本文将重要从以下四个方面临文章停止阐述：一开端将对作用两位作曲家钢琴著作创作的身分和各自的作风停止扼要的归纳综合；接着将对西班牙的音乐作风停止扼要的引见,并对著作《格拉纳达之夜》和《小丑的晨歌》中西班牙作风的表现停止年夜体阐述；文章将重点西剖析西班牙作风在两首著作中的表现若何分歧,并会从乐曲画面、曲式构造、跳舞节拍、平易近族旋律的运用、和声响响、对平易近族乐器音响的模拟等方面停止了较为具体的引见；最初还会从吹奏者的角度着手,对若何掌握两首著作中的分歧的地方停止扼要的触及。笔者愿望经由过程本文,可以在两首著作的配合点上掌握住分歧点,加倍明白作曲家们在创作上的特性特色,从而赞助本身在往后吹奏两位作曲家的著作时,可以或许有加倍准确的归纳。 Abstract: Debussy and ravel the two 20th century French great Impressionist composer, because by the same social situation and the trend of art, and the influence of, and in their own creation has a similar techniques is to there will be certain similarities in their music. Especially in the application of elements of foreign music, the two composers are often in their respective works showed interest in this aspect. Spain, the Guli in northeastern Europe Island, the indigenous ethnic civilization by the impact of a variety of foreign identity, with multiple characteristics, about artists in creation, it is covered with a strange attraction and seductive mystery of. Debussy and Ravel are not exceptional to be attracted to the exotic. In this paper, the analysis of the "night in Granada," and the clown of the morning songs, two composers separation in 1903 and 1905 after the creation of the works. Composers in the two pieces are applied to the Spanish folk music elements, make the works Phi thick Spanish style. The two songs are the composers mature age works, representative. This paper focus on the need to remind is, Debussy and ravel even used the same Spanish musical elements, but because of the characteristics of them in the creation of, making the Spanish style differences in their respective works. This will be important from the following four aspects: first discussed the Pro will stop the synthesis of identity briefly two composers influence piano works and their own style; then will stop a brief introduction to Spanish music style, and the works of Graner "night" and "clown" morning song the Spanish style performance stop Nianye body is introduced; this paper will focus on the first two West Spanish style analysis in the performance of work to differences, and from music, musical form, picture dance beats, folk melody, sound, sound and application of ethnic musical instrument sound simulation and other aspects of a more specific the first will introduce; flutist from the perspective of how to grasp the two works in different places are touched. The author wishes of this paper through the process can be in two pieces with the point on the grasp points of disagreement, doubling that composers in the creation characteristics, and thus sponsorship itself in back playing two composers works, perhaps more accurate induction. 目录: 摘要 4-5 Abstract 5 引言 6-8 第1章 德彪西、拉威尔钢琴著作创作总介 8-11 1.1 创作背景 8-9 1.2 作用因素 9-10 1.2.1 作用德彪西的因素 9 1.2.2 作用拉威尔的因素 9-10 1.3 总体风格 10-11 第2章 对德彪西、拉威尔钢琴著作中的西班牙风格概括 11-13 2.1 西班牙人文环境与音乐风格 11-12 2.1.1 西班牙的人文环境 11 2.1.2 西班牙的民族音乐 11-12 2.2 钢琴著作简介 12 2.3 著作中西班牙音乐元素总体体现 12-13 第3章 对西班牙风格在著作中不同体现的略论 13-35 3.1 乐曲中画面的描绘 13-21 3.2 曲式结构 21-27 3.3 舞蹈节奏的应用 27-30 3.4 民间旋律的应用 30 3.5 和声音响 30-32 3.6 对民族乐器音响的模仿 32-35 第4章 著作演奏的略论 35-40 4.1 节奏的把握 35-36 4.2 音色的控制 36-37 4.3 旋律的表现 37-40 总结 40-41 参考文献 41-44 致谢 44 |
