作 者：张长虹[1] ZHANG Chang-hong （Center for Southeast Asian Studies, Xiamen University, Xiamen 361005, Fujian） 机构地区：[1]厦门大学东南亚探讨中心,福建厦门361005 出 处：《南洋问题探讨》2017年第1期 65-71,共7页Southeast Asian Affairs 摘 要：本文以中国潮剧在泰国本土化的两种形态一酬神潮剧和泰语潮剧为探讨对象，泰语论文网站，研讨泰国华族与佬族是怎样在泰国潮剧这一场域中实现国家与社会地位关系的转变的，进而尝试略论潮剧如何超越国界与族群社区，泰语毕业论文，在泰国多元文化结构中获得特殊的社会意义，同时揭示体现在泰国渐剧发展形态中的艺术与社会政治、不同文化、不同艺术传统之间的关系。Teochew opera for thanking gods and Teochew opera in Thai are two localized patterns of China＇ s Teochew opera in ＂Fnailand by which this paper studies how ethnic Chinese group and Lao in Thailand exchange their relationships on national and social status in the field of Teochew opera in Thailand. Furthermore, this paper tries to analyze the reasons that Teochew opera goes beyond the national boundaries and ethnic communities so as to acquire special social mcaning in the malti-cuhural structure of Thailand. At the same time, it reveals the relationships not only between art and socio-polities, different types of culture but also among diverse artistic traditions in the development of Teochew opera in Thailand. |
