浅析日本作家坂口安吾的《文学的故乡》[日语论文]

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作  者:周婷婷 ZHOU Ting - ting (Dalian University of Technology City College, Dalian Liaoning 116600, China)

机构地区:大连理工学院城市大学,辽宁大连116600

出  处:《湖北函授学院学报》2017年第20期176-177,共2页

基  金:本文系辽宁省教育科学“十二五”规划立项课题“提高人文信息素养的高校日语多媒体运用探讨”(项目编号:JG15DB073).

摘  要:坂口安吾日本战后无赖派的代表作家,其文学思想在其著名的评论《文学的故乡》中有多处表现。在这篇晦涩难懂的简短文章中,坂口通过四个简短故事阐明了自己的文学观、人生观。坂口认为:人们首先要认识到自己所处的世界是一片虚无,这是生活的前提。但是人们不应该仅仅只是停留在这个前提中,因为虚无本身也是让人无法忍受的。人需要站在救赎的起点上,以文学的方式去构建架在虚无主义之上的生存意义。Sakaguchi AnWu is a representative writer of Japan's post -war rogue sent. His literature thoughts in his famous comment "the hometown of literature" has several performance. In this obscure brief article, Sakaguchi used four short stories to illustrate his own view of literature and life. Sakaguchi said, people should firstly be aware of our world was a void, and it is the premise of life. But people should not only stay in this premise, because nothing is unbearable. People need to stand on the starting point of the redemption, to build a frame in the form of literature on nihilism of survival significance.

关 键 词:坂口安吾 道德性 救赎 

分 类 号:I106[文学—世界文学]

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