摘要
武术是中国传统文化中一个特殊的组成部分，其被文化深深作用，又反之在中国传统文化上留下深刻的烙印。这种作用的结果是中国武术文化的诞生。在中国有很多种武术文化的载体，其中一种就是武侠电影。本文选取《卧虎藏龙》和《一代宗师》作为中国武术文化的探讨素材，这两部电影在中国都是十分著名的武侠电影，对武术有着独到的见解与剖析。另外，我还选取了由国外知名导演制作的《功夫熊猫》作为对比进行略论，以探讨武术文化在跨文化传播中的变化。 武术文化是变化而非一成不变的，不同的人对其也有着不用的理解。本文就针对这一点来略论不同电影中对武术的不同理解与阐述。
本文以文化迁移为理论依据，以内容略论为探讨措施，致力于武术文化的变迁。文章首先阐述了这个探讨的动机与重要性，对前人的工作进行总结与概括，从而提出自己探讨的重点方向。其次从电影中的人物性格的对比中略论电影所赋予武术的身份与功能，从而可以对武术有一个比较清晰的定义。在获得武术的定义后，本文对武术所附带的武德精神进行了剖析，根据电影中的字幕与人物行为等略论武术的基本准则。另外，武术的精神内涵往往是起源于中国的宗教与一些特殊文化群体中，最后的部分就是对电影中武术所包含的宗教思想进行探讨。
本文重点在对武术哲学内涵进行对比略论，英语论文，同时，英语毕业论文，以文化迁移理论对跨文化传播过程中这种内涵的变化进行了探讨。
关键词：武术，对比略论，电影，哲学思想，文化迁移理论
Abstract
Kung Fu are unique heritage of China. They interact with Chinese traditional culture, resulting in their special position and meanings. There are many forms of Kung Fu, one of them is known as Kung Fu films, The Grandmasters and Crouching Tiger, Hidden Dragon are both famous Kung Fu movies across China, both of them contain profound philosophy of Kung Fu. Kung Fu Panda is the same kind of movies and is directed by two foreign directors. However, the philosophy is developing instead of being static because every writer and director will endow Kung Fu with their understanding. This thesis focuses on the difference between the philosophies in the movies, and based on this result, we can analyze the changes of Kung Fu in the processes of cross-culture translation via Culture Transfer Theory.
The present thesis consists of three parts. Chapter one will introduce the significance and motivation of the study and gives the structure of the whole thesis. In this part, literal review shows that most of the researches haven’t involved this topic. Chapter two is the comparison between the characters in those movies. I discuss the characters’ attitudes toward Kung Fu and the main personalities of Martial Artists. Chapter three will give the Morality of Kung Fu of Kung Fu, which is considered as the basic principles of Martial. It is product of the interaction of Kung Fu and society. The discussion about religious connotation in this part will show you the core of Kung Fu.
This thesis makes the comparison between the movies over the connotation of Kung Fu, which is important part of Chinese culture. Via the comparison, we could know how the media describe Kung Fu and how the Kung Fu change in the process of cross-culture transfer.
Key Words: Kung Fu, philosophy, comparison, movies, Culture Transfer Theory.
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