摘要
托马斯•艾略特是20世纪作用最大的现代主义诗人，《普鲁弗洛克的情歌》是其早期诗歌的代表作。《普鲁弗洛克的情歌》名为情歌，但实际上是一曲悲歌，是主人公内心挣扎的写照。诗歌所刻画的青年男主人公普鲁弗洛克是当代社会中普通青年的代表。他们虽然有自己的理想和追求，但内心敏感胆怯；他们对日益冷漠的工业化城市感到不满，却又无力挣脱。尽管内心充满愤怒和痛苦，他们最终只能懦弱的忍受现实。全诗通篇以第一人称描写，但所揭露的却是当时社会中人们普遍的心理和情绪。该诗在艺术形式和情感表达上体现了明显的非个性化倾向，确立了艾略特早期的创作风格，也体现了其倡导的诗学理论。非个性化理论作为艾略特诗学理论的核心，在《普鲁弗洛克的情歌》这首诗中有着全面的应用和体现。全诗通过刻画普鲁弗洛克这一人物形象以及狭长的街道、肮脏的旅馆等城市意象，英语论文题目，曲折地暗示了人物内心的彷徨和社会的腐化。诗人以意象、典故、内心独白等艺术手法，通过客观对应物统一诗歌的思想和感受，英语论文题目，以实现非个性化的艺术风格。
关键词：《普鲁弗洛克的情歌》；非个性化；意象；典故；客观对应物
ABSTRACT
T.S. Eliot is one of the most influential modernist poets in the 20th century, The Love Song of J. Alfred Prufrock is Eliot’s early magnum opus. Seemingly a love song，The Love Song of J. Alfred Prufrock, is indeed a mournful song which reflects the hero’s spiritual struggling. Depicted as a young man, Prufrock is a typical representative of countless young people in modern society. Timid and oversensitive, they still cling to their dreams; dissatisfied and disappointed with the industrialized society, they rebel hopelessly against its indifference; they bury agony and anger in heart, cowardly bear everything in life. The poem, written from the first person perspective, discloses universal emotions and mentality of a modern society. This poem’s impersonality inclination in artistic form and emotional expression has established Eliot’s early writing style, and meanwhile, embodied his poetics. Impersonality theory, the core of Eliot’s poetics, is fully utilized and realized in The Love Song of J. Alfred Prufrock. By a depiction of Prufrock and other urban images like narrow street, dirty hotel, this poem indicates people’s inner hesitation and the society’s corruption. On the other hand, Eliot, by means of an employment of artistic methods as image, allusion, monologue and so on, has successfully integrated thought and emotion in objective correlative in the interest of an impersonality style.
Key words: The Love Song of J. Alfred Prufrock；impersonality；image；allusion；objective correlative
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