Abstract
During the 19th century, England has experienced several revolutions on the area of politics, economics, culture, and social life. Through the Industrial Revolution, England has become the most powerful empire in the world; it settled its colonies all over the earth. When England defeated France in 1801, after 14 year’s war, it established its position as a worldwide hegemony. The foreign trade developed quite rapidly, and all the new colonies became the origin for raw materials and markets, with London being the world's economic and trade centre. The empire was extremely prosperous. However, when the productivity was improving as well as the fast processing urbanization, the common people lived a poor and tiring life which earned them little money. The whole society was cruel and cold, where money and use talked. Oscar Wilde who lived in this time criticized and satirized all these phenomena and thoughts with his unique beautiful style, through all his works. This paper will focus on his famous fairy tales such as The Happy Prince, to analyze Wilde's criticism towards 19th century's English society.
Key Words: Oscar Wilde, fairy tales, 19th century, English society criticism
摘要
在19世纪中，英语毕业论文，英国在政治、经济、文化、社会生活等各个方面都经历了众多的变革，通过工业革命，成为了世界上首屈一指的大帝国，殖民地遍布全球。1801年，英国在长达14年的战争中战胜了法国，奠定了其全球霸主的地位，对外贸易大增，新的殖民地成为了大英帝国的原料来源地和市场。而经过工业革命，英国的工业化水平居于世界首位，伦敦成为了全球的经济、贸易中心，不列颠帝国空前繁荣。但与此同时，伴随着生产力的大幅提高和快速的城市化进程的是广大百姓长时间的劳动、微薄的收入、雇佣童工盛行等等问题。整个社会冷漠无情而功利，实用主义盛行。生活于这一时代的王尔德在其各类著作中都以其特有的优美笔触，对这些社会现象和风潮都进行了嘲讽和批判。本文将着重略论王尔德《快乐王子》等一系列著名的童话著作，就王尔德童话中对19世纪英国社会的批判进行探讨。
关键词：王尔德，英语毕业论文，童话，19世纪，英国社会批评
Chapter 1 Introduction
“Oscar Wilde, known for his acerbic and urbane nonfiction, was also a master of the fairy tale. While some of his inimitable irony remains, Wilde created lovely, gemlike tales filled with princes and nightingales, mermaids, giants, and kings. As Wilde explained, his fairy tales were written “partly for children, and partly for those who have kept the childlike faculties of wonder and joy.” Readers will detect in stories like The Happy Prince, a biting criticism of English high society as well as a bittersweet portrayal of Wilde’s own doomed intrigues in love and his notions of Fabian socialism. Subtly erotic and rife with symbols, these tales are infused by Wilde’s brilliant imagination and prodigious intellect.”
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