| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，俄语论文题目，下载原文正常，内容请直接查看目录。） 在梳理“情势”概念时，起首碰着的成绩就是界说的隐约性，详细到俄国情势主义，由于学派外部各成员之间看法的不合和学派前期学术兴致的转移，特殊是术语的赓续变革，也在我们眼前布下了一层层迷雾，捉住他们存眷文学著作构造措施的初志，沿着他们的存眷，可以得出“情势”在俄国情势主义实际视阈内的变迁史，这就是一个“年夜情势”的概念，从“情势”到“手段”再到“功效”一路演化而来。起首我们要为俄国情势主义正名，他们在重情势的同时并没有排挤意义，“有意义语诗”就是一个很好的例证。他们并没有全然排挤内容，而是把情势当做了研究的内容，把进入著作构造的“内容”当做构造／情势的身分来对待，俄语论文范文，因而，在他们的研究视野中，一切都成了情势。这一切要以静态的文学构造不雅来懂得，文学著作情势的最基本特色就是静态性，在审美功效的主导下，文学著作是一个静态的同一体，它的构造中，不存在运动的身分。是以，奥波亚兹告知我们，文学的成长是新旧情势之间永无停止且非常庞杂的博弈，面临文学，要时辰做好预备迎接变更。 Abstract: In combing the "situation" concept, first encounter performance is to define vague, with the Russian formalism, due to view incompatibility and school early academic interest transfer between various members of the external school, especially terms change ceaselessly, also in front of us cloth under the layers of mist, catch them attention to literary works construction method, along their concern can draw the "situation" in the Russian situation of realism from the perspective of changes in the history of the, which is the concept of a "big situation, from the" situation "to" means "to" efficacy "evolved to. First of all we want to Russian formalism name, they in the situation at the same time did not excluded significance, "the meaning of language poetry" is a good example. They didn't completely exclude content, but the situation as the content of the research, put into the creation of the "content" as the identity of the structure / situation to deal with. Therefore, in view of their study everything into the situation. All this to literary structure of static indecent to understand, the literary forms of the most basic feature is static, in the aesthetic effect of the dominant, literary works is a static one. Its structure, there is no motion of the identity. So, O Bo Diaz told us that the growth of literature is the old and new situation between the permanent and very complex game, facing literature, to prepare for the time to prepare to meet the change. 目录: 中文摘要 2-3 Abstract 3 中文文摘 4-7 目录 7-8 绪论 8-14 0.1 近况:定义的模糊性 8-14 第一章 奥波亚兹的形式观:重"形式"却并不排斥"意义" 14-30 1.1 形式本体论 14-23 1.1.1 置于前景的"形式" 14-18 1.1.2 独立自足的"形式" 18-23 1.2 不排斥"意义" 23-30 1.2.1 过度的理论表述 23-24 1.2.2 所谓"无意义语诗" 24-26 1.2.3 为"形式主义"辩护 26-30 第二章 形式、手法和功能 30-42 2.1 前期"形式"概念的演变 31-34 2.1.1 "形式"的变迁 31-32 2.1.2 "情节"、"本事" 32-34 2.2 从动态的文学结构观看几个重要概念 34-42 2.2.1 动态的文学结构观 34-35 2.2.2 "形式"的后续发展:"手法"和"功能" 35-42 第三章 结论 42-44 附录 44-48 参考文献 48-52 攻读学位期间承担的科研任务与主要成果 52-54 致谢 54-56 个人简历 56-58 |
