| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 意味主义是古代诸多文艺思潮中作用最年夜、最为普遍的一种，这股诗潮也汇入中俄古代诗歌成长的大水中。东方资本与本国传统的碰撞和融通构成了中俄意味派诗歌相异的美学价值。论文从诗歌美学的维度切入中俄意味诗派的比拟研究，依实质论、价值论、意象论和音悲观四个方面睁开：引言部门。起首，俄语论文网站，归结了意味这一美学概念的多种话语涵义，继而清算了中国和俄国意味诗派的流脉成长，同时限制了本文的研究规模，即中国2、三十年月“意味派”、“古代派”诗歌与俄国19世纪末20世纪初意味派诗歌之间的比拟，最初经由过程对中俄意味派接收法国意味主义作用的考核，总结出中俄接收作用的向度表现出实质上的差别，中国意味诗派重视经历层面的接收，而俄国意味诗派着重形而下层面的接收。第一部门，中俄意味派诗歌本体论比拟。本章对中俄意味诗派的“意味”不雅、“纯诗”不雅和“契合”论作比拟研究。浪漫和颓丧的基调纠缠在中俄意味诗的本体不雅念中，在此不雅念框架中，中国意味诗寻求的是宇宙万物与诗人主体冥合的“纯诗”境地，俄国意味诗渴求的是神性世界与诗人本我应和的玄秘精力，他们分离在心灵世界和此岸世界完成对“意味”的修建。第二部门，中俄意味派诗歌价值论比拟。本章从诗歌主题、诗歌涉世、诗人价值三个角度管窥中俄意味诗派价值论的差异。对都会和女性主题的抒写，中国意味诗人在城市文明情调及境地中的陶醉，表现了在寻求古代体验进程中迷掉、感伤及消极的情感，他们在诗中模写的女性意象姿势仍指向漂渺无根的丽人之境，俄国意味诗人则把城市化为奥秘世界的意味、激起诗人灵感的神界，女性同样成为沟通红尘和神界的幻象。对诗歌与诗人价值的不雅照，中国意味诗人表示出超出世俗和回归天然的意图，并低垂唯诗认识一诗是心坎情境的转达，俄国意味诗人怀抱启发录的精力，对诗歌的功用抱有一种平衡的立场，诗人自我同样成为一个“神性”的意味。第三部门，中俄意味派诗歌意象论比拟。本章从意象建构准绳和意象表示战略方面比拟中俄意味诗派。“恶之花”唤起了中俄意味诗人对“恶美”的意象出现。在乎象建构准绳上，中国意味诗人沟通传统和东方的意象资本，以意味一心机的建构准绳，付与诗歌心机的委婉之美、意味的意义之思，转达一种神韵之美，俄国意味诗人器具寄意之能的意象思想和建构诗篇，使抒怀诗焕收回“意味”和“寄意”交错的奥秘之美。从意象表示战略看，中国意味诗人渗透了主体的感知体验性运动，寻求循“意”造“象”的古代特点，俄国意味诗则出现出主体潜隐、宗教、神灵抽象凸显的战略，表现入迷秘冥想的特色。第四部门，中俄意味派诗歌音悲观比拟。本章从音乐载体和音悲观照两方面比拟中俄意味诗派的差异。中俄意味诗的音乐性寻求在词语和声响两个维度上睁开，俄语论文，中国意味诗人在词语之间的“互相共识”中发明了诗歌视像的图景奇迹，从而在诗的音节和内涵诗情的变更中遁入奥妙的音乐境地；俄国意味诗经由过程音乐性完成意味化，将由词或词的组合所组成的诗歌意象中的“音象”置于比视象更加主要的地位，表示“各个星体的协调之声”，衬着意味诗歌的昏黄感和奥秘感，塑造出易于感触感染的音乐精力。 Abstract: Symbolism is a lot of the ancient literary thoughts in the greatest impact, the most common one, the poetry also import growth of ancient poetry between China and Russia in the water. The collision and fusion between the eastern capital and the national tradition constitute the aesthetic value of the difference between Chinese and Russian poetry. From the dimension of poetry esthetics cut Russia mean that the poetry of comparative study, according to the qualitative theory and value theory, image theory and sound pessimistic four open. The first part is the introduction. Chapeau, summed up the means the aesthetic concept of various discourse meaning, and then clearing the China and Russia that poetry flow vein growth, while limiting the scope of the study, namely China to that of 20 or 30 years "means school", "ancient style" poetry and Russia at the end of the 19th century and the beginning of the 20th century that send poetry analogy, initially through on the Sino Russian means send receive France that influence assessment, summed up the Russian receives the influence to performance of a substantial difference, China means poetry pay attention to the experience level of receiving, and Russian means poetry with shape of level of reception. The first part, the comparison of the ontology of the poetry between China and russia. This chapter of the Sino Russian poetry means "means" indecent, "pure poetry", and "fit" with the theory of comparative study. Are entangled in Russia that the noumenon of poem indecent tone of romantic and decadent, this concept framework, China means seeking poetry is everything in the universe, and the poet's main offerings of "pure poetry" situation, Russia means poetry craving is divine world and poet ID and the mysterious strength, they isolated the completion of the spiritual world and otherworldly of the construction of "meaning". The second section, the comparison of the value of the theory of poetry between China and russia. Three aspects of this chapter from the theme of poetry, poetry, the poet of life value means the value theory of Russian poetry and. The writing of will and female theme, China means poet in the urban civilization sentiment and situation of intoxicated, in search of ancient experience in the process of lost, sad and negative emotions, they in the poem facsimile images of women position still point to the floating rootless vague beauty environment Russia means poets of the urbanization for the mysteries of the world means, arouse divine poetic inspiration, women also become the illusion of communication world of mortals and gods. On poetry and poets value of indecent photographs, China means poet expressed beyond secular and return to natural intention, and drooping poetry only know a poem is heart situation to convey that Russia means the revelation of the embrace of the poet's energy, entertain a balanced position of the function of poetry, poetry self also become a "divine" means. The third section, the comparison of the theory of image of the Russian and russian. This chapter from the image construction principles and strategies that match between China and Russia said the image of poetry. "Flowers of evil" aroused the Chinese and Russian images of "evil beauty". Care as the criterion to construct China means poet between the traditional and Oriental imagery capital, by means of a scheming the construction principle, entrusts with the poetry scheming euphemistic beauty, meaning the meaning of thinking, convey a charming beauty of Russia means poet appliances send meaning of image thinking and construction of Psalms. The lyric Huan recovery "means" and "intended to send a" staggered the mystery of beauty. From the image said strategy, China means poet permeated the perceiving subject motion experience, seek cycle "meaning" made "image" of the characteristics of ancient, Russia that poetry is showing subject latent, religion, gods Abstract highlights the strategic, performance characteristics ecstatic secret meditation. The fourth sector, China and Russia means to send poetry tone pessimistic comparison. This chapter from the music and sound carrier according to the two aspects of comparison between China and Russia is pessimistic about the similarities and differences of poetry. China and Russia that the music of poetry for in words and sounds of the two dimensions of open, China means poet between the words "mutual consensus" invented the poetry video picture miracle, resulting in poetry syllable and the connotation of the poetic changes receded into the secret music situation; Russia that the book of songs by the music of complete means of, will be a word or a combination of composition of poetry images in "sound like" placed in the ratio are regarded as a more important position, said "all stars, the coordination of the sound", lined with that sense of poetry of yellow and a sense of mystery, creating easy feeling music energy. 目录: |
