| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 本文在控制、参考年夜量国际外材料的基本上从汗青学和政治经济学的角度对十九世纪末二十世纪初俄国和中国的社会汗青配景、经济、政治局势停止了剖析。起首，对俄罗斯一这个活着界乐坛上获得了光辉造诣的国度。因为19世纪和20世纪所阅历一系列的社会汗青变迁，给他们音乐成长带来伟大的作用，由此发生的音乐作风特色；和他们活着界艺术范畴所处的抢先位置停止论述。然后，从中国和俄国的国际关系角度动身，俄语论文范文，并经由过程俄国的远东开辟计谋、国际战斗所招致的音乐人才外流等景象，体系的论述了俄侨在我国年夜量涌现及其聚居地发生的缘由。以俄国侨平易近音乐家为主的交响音乐运动之所以在其时的中国被以为是“非主流”，这重要是因为我国年夜部门城市开放水平不高和经济前提和看待外来音乐文明分歧的思潮等一系列深入而庞杂的缘由惹起的。重点引见了晚期俄侨在中国的音乐生涯和俄籍音乐家对我国音乐成长所起到的积极推进感化，并赞助中国组建了两支最早的交响乐团；首创了俄办的专业音乐黉舍；在中国音乐黉舍(重要是国立音专)的教授教养运动中起到主干感化等等。他们造就了中国最早一批音乐家、教导家，这批俄侨音乐家的先生们普及我国各地。新中国开国后，我国的古典音乐开端蓬勃成长，这些受过迷信、体系、严谨教导的中国音乐家们或是活泼在中国甚至世界的舞台上，或是在全国各年夜专业的音乐院校默默地耕作着一代又一代中国音乐事业愿望的种子。在此基本上，最初客不雅的评价了十九世纪末二十世纪初俄国音乐家对我国古典音乐成长所发生的积极作用，经由过程总结其在中国的音乐生涯根本偏向，俄语论文网站，从中寻找本阶段中国音乐成长的特色，并瞻望中国与俄罗斯音乐范畴将来的交换与成长远景。 Abstract: In this paper, the control, with reference to a large number of domestic and international information basically to at the end of the 19th century and early 20th century Russia and China's social history background, economic and political situation from the sweat Seigaku and political economics angle to carry on the analysis. First of all, the world of Russian music won the glorious attainments country. Because of the 19th and 20th century experienced a series of social and historical changes, to their music growth bring great impact, resulting in the music style, features; and they live in the arts category of the preemptive position to carry on the elaboration. Then from China and Russia's view of the international relations start and via the process of Russia's far east open strategy, international combat incurred music talent outflow phenomenon, system deals with the overseas Russian in China to the emergence and settlement of reason. Mainly Russian immigrant musicians symphonic music movement the reason in the meantime China is thought to be the "non mainstream". The important is because of China's big cities the level of opening up and economic premise and treat foreign music cultural differences of thought a series of in-depth and Pang miscellaneous causes. Introduced with emphasis the advanced overseas Russian in China's music career and Russian musicians on the growth of Chinese music to the positive role in promoting the and sponsored by China to form the two branches of the earliest Symphony Orchestra; first the Russian Office of professional music schools; in China School of music happen (and important national music college teaching movement plays the main role, and so on. They created China's first batch of musicians, taught at home, this batch of Russian musicians of the popularity of the students in china. After the founding of the new China, and the vigorous development of China's classical music beginning, these highly superstitious, system and strict teaching of Chinese musicians or active in the arena of China, even the world, or is in the nation each big professional music colleges and universities silently farming the seeds of a generations of another generation of Chinese music career aspirations. In basically, initial customer indecent evaluation the positive impact at the end of the 19th century and early 20th century Russian musicians to Chinese classical music growth occurred, through summing up the music career in China's fundamental bias, looking for the growth of Chinese music features, and Prospect of China and the Russian music category future exchange and development prospects. 目录: 摘要 7-8 Abstract 8-9 第一章 绪论 10-12 第二章 简述19 至20 世纪初俄国社会、音乐发展特点 12-15 一、19 世纪俄国的社会背景和音乐发展特点 12-13 二、饱受政治作用的20 世纪俄国音乐家 13-14 三、涌入中国的俄国侨民 14 注释 14-15 第三章 简述同时期中国的社会背景与音乐发展的特点 15-19 一、19 世纪以来中国的社会形态 15 二、概述我国“主流”音乐的发展特点 15-16 三、西方文化进入中国引发的不同思潮 16-17 四、我国东北地区及上海繁荣的“非主流”音乐 17-18 注释 18-19 第四章 俄侨音乐家在哈尔滨的音乐交流与作用 19-30 一、俄国侨民早期在哈尔滨的音乐活动 19-20 二、“老哈响”的组建及其活动 20-24 （一） 组建初期的“老哈响” 20-21 （二） 老“哈响”的辉煌时代 21-23 （三） 老“哈响”的新鲜血液--中国演奏员的加入 23-24 三、俄侨音乐家在哈尔滨的教学和艺术人才的培养 24-27 （一） 俄办专业音乐学校在教育领域的贡献 24-26 （二） 俄侨音乐家个人的音乐教育活动 26-27 四、前进中的哈尔滨交响乐团 27-28 注释 28-30 第五章 俄侨音乐家在上海的音乐活动与作用 30-41 一、俄国侨民--上海工部局交响乐团的核心力量 30-32 二、困难中前进的上海工部局交响乐团 32-33 三、同上海工部局交响乐团合作的俄国音乐家 33-34 四、俄侨音乐家在上海的音乐教育活动 34-38 （一） 上海国立音专中的俄侨教师 34-37 （二） 上海俄侨办学的音乐教育 37-38 五、俄侨乐圣--阿隆·阿甫夏洛穆夫在上海 38-39 注释 39-41 结论 41-43 参考文献 43-45 攻读学位期间完成的学术论文 45-46 致谢 46 |
