从“为人生而艺术”到“为无产阶级而艺术”一对于茅盾对俄罗斯文学接受问题[俄语论文]

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茅盾作为二十世纪中国文学史上深有作用的文学年夜师,“为人生”的文学不雅贯串了他的全部文先生涯。但在他漫长的文先生涯中,俄语毕业论文,“为人生”的详细寄义也阅历了一个变更进程。这一进程与他对俄罗文雅学的接收深有接洽在二十世纪二十年月末三十年月初,茅盾对俄罗文雅学的接收重点由写实主义文学转向了苏联实际主义文学,他的文学不雅念和文学创作也随之产生了严重变更。是以,本论文的义务即在于,对茅盾接收俄罗文雅学的进程作一全体考核,提醒接收俄罗文雅学对其文学不雅念和创作的作用,同时剖析茅盾在接收进程中存在的一些歪曲和误读成绩。 论文分为两部门 第一部门剖析茅盾接收俄罗文雅学的缘起茅盾之所以钟情于俄罗文雅学,是由于俄国写实主义文学中“为人生”的特点相符他的这一偏向,而对俄国写实主义文学的这类接收,一方面使中国新文学沿着“为人生”的偏向生长,另外一方面使他错过了俄罗文雅学之林的很多美妙景不雅; 第二部门剖析茅盾接收苏联实际主义文学的进程、缘由和成果,经由过程这类剖析指出,茅盾最后的接收基点使他的接收重点由俄国写实主义文学转向苏联实际主义文学,俄语论文题目,从而促进了他的文学不雅和文学创作的转变,一方面使他首创了以社会剖析为基本的实际主义文学创作传统,另外一方面也使其文学不雅和文学创作的功利主义偏向逐步增强,社会批评性逐步弱化。

Abstract:

Mao Dun as the twentieth century Chinese literature history with deep influence of literature on the eve of the division, "for life" literature indecent perforative all his the first career. But in his long literary career, the "for life" in the detailed meaning also experienced a change process. Receive this process with him to Russia elegant study deeply approached in the 20th century 20 years at the end of 30 years at the beginning of the month, Mao Dun to Russia elegant receive focus from the realism literature to Soviet realism literature and his literary reading and literary creation generates a serious change. Is to the obligation that is, make a whole evaluation of Mao Dun receive Russian elegant learning process to remind Russia elegant reception on the literature indecent concept and creation of, and analysis of Mao Dun in the receiving process in the presence of some misrepresentation and Misreading results. The thesis is divided into two parts. The first part analyzes the origin of the Russian Mao Dun received gentle Mao Dun's fondness for Russian elegant, is because of Russian realistic literature "for life". The characteristics of his bias, and the Russian realism literature of this kind of receiving, on one hand the new literature Chinese along the "growth bias for life" on the other hand, so he missed the Russian forest elegant learn many wonderful landscape; the second part analyzes the Soviet literature Mao Dun received the actual process, cause and result, pointed out that through the process of this kind of analysis, Mao Dun finally made his point to receive the receiving key by the Russian realism realism literature and turned to the Soviet Union. To promote his literary and literary creation and change, one hand he pioneered in social analysis as the basic practical literature Traditional creation, on the other hand also make the literature indecent and literary utilitarianism bias enhanced gradually, the critical social gradually weakening.

目录:

引言   6-9   第一章 选择俄国写实主义文学:“为人生而艺术   9-26       第一节 在对写实主义文学的批判中选择俄国写实主义文学:茅盾接受俄国文学的起始   9-14       第二节 注重群体性和实用性的“为人生”文学观:茅盾选择俄国写实主义文学的原因   14-21       第三节 遥望俄罗斯文学的“冰山之一角”:茅盾选择俄国写实主义文学的结果   21-26   第二章 皈依苏联社会主义文学:“为无产阶级艺术   26-39       第一节 从写实主义转向苏联无产阶级文艺:茅盾对俄罗斯文学接受重点的变化   26-31       第二节 内在认同和外在环境的双重引导:茅盾皈依苏联现实主义文学的原因   31-35       第三节 从“为人生而艺术”到“为无产阶级而艺术”:茅盾皈依苏联现实主文学的后果   35-39   结语   39-44  

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