| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 尼古拉·谢苗诺维奇·列斯科夫（Николай Семёнович Лесков）是19世纪后半期活泼在俄国文坛的有名作家。列夫·托尔斯泰以为他是同时期作家中“最具有平易近族性”的。因为人们对作家的毛病熟悉，使其历久被归为二流作家，到了20世纪50年月才开端对其著作停止体系地研究。不外研究者的存眷点多集中在列斯科夫的中短篇小说及其全体创作与平易近间文学的关系上，对于《年夜堂神甫》这部在列斯科夫创作生活中异常具有代表性的长篇小说，研究结果绝对少一些。本文试从列斯科夫对传统平易近间文明的继续、作家的宗教不雅和政治思惟、小说的人物抽象塑造三方面商量《年夜堂神甫》这部著作的艺术世界。1、列斯科夫式体裁。作家在长篇小说的框架内嵌入了日志、手札、诗歌、平易近歌、逸闻趣事等多种文学文体和情势，使得这部著作的体裁构造具有马赛克镶嵌画的视觉后果。同时，作家采取传统的讲述体，运用平易近间文学化的说话，又对神甫这一陈旧的文学抽象停止了再塑造，从而使《年夜堂神甫》这部著作成为作家奇特创风格格的代表作。2、宗教不雅和政治思惟。小说中涌现对《圣经》文本的年夜量援用，它们既是著作的一种创作说话，俄语专业论文，俄语论文范文，也是著作的内容，同时还转达出特定的思惟潜流。列斯科夫将本身对宗教的立场渗入渗出到著作中，转达出愿望借助宗教崇奉的力气赞助俄国解脱窘境的政治思惟。3、“义人”抽象塑造。小说中的萨维利神甫崇奉最纯粹的基督教义，具有崇高的品德和正派、老实的魂魄，平生都在为完成用东正教崇奉救世的任务而尽力。但因为官方教会和世俗权利的危害、东正教崇奉在俄国涌现危机和小我立场的不果断，“义人”萨维利探访真谛的平生终究化作一场喜剧。 Abstract: Nikolai Leskov (1970, kappa, PI pgfla souffl. E - popliteal by Liapunov's, C's is a kappa Liapunov's) is 19 in the second half of the period of active in Russian literature of the famous writer. Lev Tolstoy thought he was "the most common" of the writers of the same period. Because people on the writer's problems familiar, the long-term is classified as a second rate writer, to the 20th century in the 1950s to start the work stop system research. Nevertheless, researchers of concern are more concentrated in the cove of short stories and all creation and plain in literature, on the eve of the parish priest, this in the column's creative life anomalies have representative novels, research results absolutely. This article tries from the column's Cove on the traditional folk civilization continues, religious writer indecent and ideological and political, novels of character image mold three aspects to discuss the eve of the parish priest "works of art in the world. 1, Leskov style genre. Writers in the novel within the framework of embedded diaries, letters, poetry, plain folk songs and anecdotes, many literary styles and forms, the generic structure of the works with the visual effects of the mosaics. At the same time, the writer adopts the traditional narration body, using plain speaking in the literature, and the priest the old literature Abstract stopped shape, so that the eve of the parish priest, the works become strange writers create wind Princess masterpiece. 2, religious and political ideas. The emergence a large number of biblical texts quoted in the novel, speak their work is both a kind of creation, is the content of the works and convey specific thought undercurrent. Leskov itself to religious standpoint penetrate into his works to convey a desire by the strength of religious belief sponsored Russian liberation dilemma of Ideological and political. 3, "righteous man" abstract shape. Novels of the Savelli priests worship the pure teachings of Christ, with noble character and decent, honest soul, life in complete with orthodox beliefs for the salvation of the task and try to. But because of the harm in official church and secular rights, Orthodox worship in Russia in the emergence of the position of the crisis and the ego is not decisive, "the righteous" Savelli visits to the true meaning of life eventually turned a comedy. 目录: 中文摘要 4 Резюме 5-8 绪论 8-16 一、 探讨目的及意义 8-9 二、 国内外探讨近况 9-16 第一章 列斯科夫式文体：脱胎自传统文学范式的创新 16-31 第一节 马赛克式的文体结构 17-21 第二节 无与伦比的讲述体 21-24 第三节 民间文学化的语言 24-26 第四节 摘掉“面具”的神父 26-30 本章小结 30-31 第二章 东正教信仰：拯救俄国的良药 31-41 第一节 小说中的神圣文本 32-36 第二节 作家的宗教观及政治思想 36-39 本章小结 39-41 第三章 “义人”：肩负作家重望的“司法部长” 41-52 第一节 “义人”的诞生 41-44 第二节 “义人”的悲剧 44-50 本章小结 50-52 结语 52-54 参考文献 54-59 致谢 59 |
