叙事文学与著作叙述者—主人公—哈维尔·马里亚斯三部小说之平行探讨The parallel study of narrative literature and works - the narrator protagonist Javier Marias's three novels 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 在西班牙现代文学史上，哈维尔·马里亚斯可谓是一名“盛名在外”的作家，但这其实不妨害他成为西班牙最好的和最主要的作家之一。在他的文学著作中，特别是小说著作，无一不折射着作家纯熟的论述手段和奇特的文学构思。在他创作的文学世界中，西语论文范文，论述者也是主人公，老是赶过于其别人物之上，乃至赶过于故工作节自己，他老是以第一人称的口气，采取螺线形的论述构造讲述本身和本身的故事。而他这类奇特的论述措施表现在，第一，小说的论述者-主人公在许多时刻和作家自己合二为一，由于论述者-主人公与作家退职业阅历和小我性情方面甚是类似。在哈维尔·马里亚斯的叙事小说里，自传和虚拟的界线老是隐约难辨的，是以文学评论界偏向于把他的叙事小说归于“自我虚拟”的文学景象。但是，作家自己从未接收过任何对于他的小说的文学派别的归类。第二，小说的论述者-主人公在论述进程中的性情特点光鲜：是一个一无所知的、论述才能壮大的论述者，是一个总爱切题的论述者，是一个鬼魂般的人物，是一个思惟型的论述者。以上这些论述文学特点都表现在哈维尔·马里亚斯的这类小说里，包含《多愁善感的须眉》、《如斯惨白的心》、《一切的魂魄》。恰是因为他叙事进程中的庞杂性、赓续的心坎思考和切题话，他的小说须要一个耐烦的读者，而且能以某种措施介入作者的创作。而本篇论文恰是展示了自己在对其文学著作的诠释，经由过程对哈维尔·马里亚斯的小说的细心研读和相干文献材料的查阅，试图让读者懂得哈维尔·马里亚斯的文学构思。 Abstract: In the history of modern Chinese literature, Javier Marias is a famous writer, but this does not prejudice him as one of the best and most important writers in Spain. In his literary works, especially the works of fiction, a writer reflects the skillful means and discusses the unique literary conception. In his literary world, it is also the protagonist, the characters don't always catch too, and the drive too the story himself, he is always the first person to take this tone, spiral structure about themselves and their stories. And he this kind of peculiar methods are discussed in the first novel, the arguer - the protagonist himself in many times and be made one writer, because the arguer - the hero and the writer back occupation experience and temperament is very similar to the ego. In Javier Marias's narrative novels, autobiography and virtual boundary is always blurred, as literary critics tend to put his narrative novels as "virtual self" of the literary scene. However, the writer himself has never received any classification of the literature on his novels. Second, the novel discusses - hero character in the process of discussion: is a bright, can we grow the absolutely ignorant of this paper, is a total love to it, is a ghostly figure, is a type of thought. These characteristics are discussed in literature in the novels of Javier Marias, including "man", "always melancholy and moody so pale," heart "all souls". It is precisely because of his narrative in the process of the complex, continuously thinking and to heart, his novels need a impatient reader, but also involved in some way the creation of the author. This thesis is to show that he is in the interpretation of his literary works, through the process of Javier Marias's novels carefully read and relevant literature review, trying to let readers know Javier Marias's literary ideas. 目录: Agradecimientos 4-5 中文摘要 5 Resumen 6-8 Introducción 8-11 1. Evoluciones narrativas de Javier Marías 11-21 1.1. Pertenencias literarias 11-12 1.2. Trayectoria novelística 12-14 1.3. El extra o caso sobre Javier Marías 14-19 1.4. Peculiar estilo narrativo 19-21 2. La autoficción en la narrativa novelística de Javier Marías 21-54 2.1. Introducción de autoficción 21-24 2.2. El autor y el narrador-protagonista 24-35 2.2.1. El hombre sentimental 26-29 2.2.2. Todas las almas 29-33 2.2.3. Corazón tan blanco 33-35 2.3. Lo ficticio y lo factual entrelazado 35-54 2.3.1. La literatura y la vida 36-41 2.3.2. Interferencias entre la ficción y la realidad 41-47 2.3.3. Los diferentes planos narrativos 47-54 3. El narrador y la narración 54-72 3.1. Un narrador omnisciente con pleno poder narrativo 54-61 3.1.1. Análisis sociológico del narrador-protagonista 55-58 3.1.2. Análisis psicológico del narrador-protagonista 58-61 3.2. El narrador fantasmal 61-65 3.3. El narrador digresor 65-72 Conclusión 72-74 Bibliografía 74-77 |
