格拉纳多斯生命之歌一12首西班牙舞曲Granados's song of life - a 12 Spanish Dance 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 恩里克·格拉纳多斯(Enrique Granados，1867一1916)是十九世纪末二十世纪初西班牙平易近族乐派的代表人物之一，他的钢琴著作在西班牙钢琴音乐史中占领主要的位置。《12首西班牙舞曲》是他晚期创作的著作，既表现了西班牙平易近族音乐的颜色，又充斥了浪漫主义音乐的诗情画意。在12首乐曲中，融入了西班牙传统的跳舞、吉他等多种平易近间素材，也参加了浪漫主义典范的抒怀化的旋律、丰硕的和声表示力、理性的情绪表达等，彰显了格拉纳多斯独有的创作措施。本文重要内容包含1、西班牙音乐的成长。2、简介西班牙平易近族乐派。3、对《12首西班牙舞曲》停止作风特点与创作手段的剖析。4、《12首西班牙舞曲》的吹奏诠释。本论文重点引见的是乐曲创作上及钢琴吹奏上的剖析，经由过程本身的吹奏体悟，尽可能用西班牙的音乐语汇来表达情绪，更好的掌握住乐曲的作风。12首乐曲有着各自分歧的创作手段和吹奏作风，是以要更多的接触西班牙的艺术著作，凝听西班牙作风的音乐，西语论文网站，感触感染西班牙平易近族的生涯气味，西语专业论文，尽可能精确的掌握住乐曲。 Abstract: Enrique Granados (Enrique Granados, 1867 - 1916) is one of the representative figures at the end of the 19th century and early 20th century Spanish plain near family music, and his piano works in the history of Spanish piano music occupied main position. The first 12 Spanish Dance "is the creation of his late works, as well as the Spanish folk music and color, and full of the poetry of the romantic music. In the songs, into the traditional Spanish dance, guitar and a variety of folk material, also participated in the romantic classic lyrical melody, rich harmonies said, the rational emotion expression, highlighting the Granados's unique creation method. This article is an important content of 1, the growth of Spanish music. 2, introduction of the Spanish national music. 3, the analysis of the characteristics and the creative means of the "12 Spanish Dance". 4, "the 12 first Spanish Dance Music" of the playing interpretation. Analysis of composition and piano playing is the focus of this article is to introduce and process itself playing through the understanding, as far as possible with Spanish music vocabulary to express emotions, better grasp the music style. Songs with different creating methods and playing style is to come more Spanish works, listens to the Spanish style of music, feeling the Spanish plain near family life breath, as far as possible accurate grasp of live music. 目录: 摘要 4-5 Abstract 5 引言 7-8 第一章 格拉纳多斯生平及其钢琴创作 8-12 第一节 西班牙音乐的形成与发展 8 第二节 西班牙民族乐派的代表人物 8-10 第三节 格拉纳多斯的生平及其钢琴著作 10-12 第二章 《十二首西班牙舞曲》的风格特征和创作手法 12-24 第三章 《十二首西班牙舞曲》的演奏诠释 24-36 第一节 各种音型的演奏略论 24-27 第二节 连奏与非连奏 27-28 第三节 多声部、多旋律线条的演奏 28-29 第四节 双音的演奏 29-30 第五节 速度的变化 30-32 第六节 踏板 32-36 结论 36-37 参考文献 37-39 致谢 39 |
