走进西班牙一格拉纳多斯和他的钢琴组曲《戈雅之画》In Spain Granados and his piano suite "Goya's painting" 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，西语论文范文，西语论文范文，内容请直接查看目录。） 恩里克·格拉纳多斯(Enrique Granados,1867-1916)是十九世纪西班牙平易近族乐派的代表人物,与同时期的另外一位西班牙作曲家阿尔贝尼斯齐名。他的著作在钢琴技能上堪比李斯特,在旋律上又不逊于肖邦,是以吹奏难度极年夜。格拉纳多斯的代表作钢琴组曲《戈雅之画》在此方面最具有代表性。他的这部著作西班牙平易近族作风异常浓重,融入了年夜量的西班牙传统平易近间素材,同时技能又非常华美,展现出了高度的艺术水准。本文的根本内容包含1、西班牙音乐文明与格拉纳多斯;2、《戈雅之画》剖析;3、《戈雅之画》的吹奏诠释。本篇论文的研究重点是经由过程《戈雅之画》创作配景、乐曲剖析、笔者本身的吹奏体悟,对吹奏者更精确地掌握著作的吹奏作风供给参考。《戈雅之画》的西班牙作风极端浓烈,是以对其平易近族跳舞节拍、吉他后果的模拟等等要掌握得精确。这就请求吹奏者多凝听西班牙音乐、接触其他的西班牙艺术著作,停止进修、自创,重复琢磨著作的内在。 Abstract: Enrique Granados (Enrique Granados, 1867-1916) is the 19th century representative of Spanish folk music, and at the same time, also a Spanish composer Albert nice & Jeremy. His works in piano skills comparable to Lester, in the melody on inferior to Chopin, is to play the great difficulty. The representative works of Granados piano suite "Goya's painting" the most representative. His work, the Spanish national style unusually strong, into the eve of the amount of the Spanish traditional material, while the skills are very colorful, showing a high level of art. The basic content of this article includes 1, the Spanish music civilization and Granados; 2, "Goya's picture" analysis; 3, "Goya's painting" the play annotation. Research focus of this thesis is through the process, "Goyescas" creation with view, music analysis and understanding of the author's own playing, playing more accurately master works of playing style and provides a reference. Goya's painting, the Spanish style is extremely strong, is to its national dance beat, guitar consequences of simulation and so on to grasp the exact. This requests the bassoonist listens to the music of Spain, contact with other Spanish works of art, learning, generated, repeat meditate works inside. 目录: 中文摘要 3-4 Abstract 4 绪论 6-7 第一章 西班牙音乐文化与格拉纳多斯 7-12 第一节 西班牙音乐历史及民族乐派简介 7-10 第二节 格拉纳多斯艺术生涯简介 10-12 第二章 《戈雅之画》略论 12-42 第一节 《戈雅之画》的创作背景及乐曲概述 12-14 一、 戈雅与《戈雅之画》 12 二、《戈雅之画》概述 12-14 第二节 《戈雅之画》乐曲略论 14-42 第三章 《戈雅之画》的演奏诠释 42-57 结论 57-58 参考文献 58-60 致谢 60 |
