逃离神话一20世纪西班牙裔墨西哥女画家雷米蒂欧斯·巴罗（Remedios Varo）解读From twentieth Century Mexico myth Hispanic female painter Remedios Barrow (Remedios Varo) interpretation 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 本文是对出身于20世纪之初已经运动在超实际主义活动中的西班牙裔墨西哥女画家雷米蒂欧斯·巴罗（Remedios Varo）的个案研究。本文对存在于今朝女性艺术研究中的“女性特质”实质论不雅点在巴罗研究中发生的作用提出质疑。提出应当看重个别女艺术家的艺术理论，应从其人生、著作及内部情况等多方面身分中挖掘她的真实处境，并对这类处境是若何构成她在理论中的选择停止说明。文章综合性地运用了社会剖析、心思学剖析与情势剖析等办法，分离考核了父系制社会在巴罗的生长中留下的心思暗影，她若何在家庭男性成员的卵翼下取得从事艺术职业的权利，又若何与一个将女性排挤在发明者行列以外的视觉艺术传统产生抵触，若何选择了本身的对策并终究构成了反应本身奇特面孔的艺术主题和作风。从这些剖析中最初得出，巴罗在她的艺术中出现出的奥秘偏向，是她的发明力在一特性别统治的实际世界及艺术传统中遭到压抑的一种反应。并且，在不能不从这个传统中求存在的实际下，她采用的是一种意味性的措施与之反抗，西语毕业论文，西语毕业论文，并获得了一种调和的成功。本文经由过程对巴罗的解读，提醒出在女性研究中，实质论的习气思想常常会妨害我们去挖掘女性在作为艺术发明主体时面对的窘境。而且经由过程巴罗个案，对生涯在20世纪初的女性艺术家的一种实际做出了无力的说明。 Abstract: This paper is on the origin in the beginning of the 20th century is already in motion and a case study in the ultra realistic activities of Hispanic Mexican female painter Remy Tios Barrow Remedios Varo. This paper questions to exist in the current study of women in the arts of "femininity" essence of indecent point in Barrow research of influence. We should value individual female artist's art theory, multi element from his life, works and internal situation in mining her real situation and to this kind of situation is how to constitute her in theory, choose to stop that. The comprehensive application of the social analysis, psychology analysis and situation analysis method, separation and appraisal the patrilineal society in the growth of barrow left psychological shadow, how she in under the aegis of the male family members to get involved in the rights of professional art, how and a will excludes women outside the ranks of the inventor of visual art tradition conflict, how to select the countermeasures and eventually form the reaction itself peculiar face art theme and style. From the analysis of the initially concluded that, barrow in her art of the mysteries of the bias is her invention in a characteristic don't rule the actual world and artistic traditions by one reaction of depression. And in not not from this tradition for actual existence, she uses is a means of method with resistance, and obtained a moderate success. In this paper, through the process of Barro's interpretation, to remind the in female research, the essence of the habit of thinking often hinder us to digging women in as the invention of the arts subjects facing the dilemma. And through the process of Barro case, a career in early twentieth Century of the female artist actually made to explain. 目录: 序言 4-10 第一章 匿名的自传与被篡改的注视 10-16 1 、 自传体与自画像 10 2 、 巴罗的自画像 10-12 3 、 被拒绝的目光 12-16 第二章 父权训诲与挫折 16-24 1 、 家庭中的男性 16-17 2 、 超现实主义的女听众 17-19 3 、 女性神话的陷阱及对策 19-24 第三章 图像篡改1:性与暴力 24-32 1 、 超现实主义与性暴力 24-26 2 、 “华尔基莉的纪念物” 26 3 、 城市与女性的梦魇 26-32 第四章 图像篡改2:母性与作为发现者的女性 32-40 1 、 被改编的母性 32-34 2 、 作为发现者的女性 34-36 3 、 女巫师:魔术与创造 36-40 结语: 一种折衷的胜利 40-45 |
