卡洛斯·绍拉舞剧电影探讨Study on the Carlos Saura dance film 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 卡洛斯·绍拉是西班牙最为出色的片子年夜师之一，他所开辟的舞剧片子有其奇特光鲜的艺术作风。绍拉的舞剧片子凝集着他几十年片子创作的聪明和精髓，充斥了使人回味不已的艺术之美。本论文以绍拉的五部舞剧片子作为重要考核对象，从主题、叙事、影音表示、作风溯源等四个方面临绍拉舞剧片子停止了周全审阅和深刻研讨。本文注释共分四章：第一章从著作所转达的主题思惟停止阐述，西语论文范文，西语论文范文，分离阐释了女生命运、逝世亡与孤单、对西班牙平易近族文明的内省这三年夜主题，力图深刻绍拉的精力世界；第二章重点略论在舞剧片子这类特别片子艺术情势之下，绍拉若何奇妙地停止叙事；第三章则从颜色、光影和空间外型动身，周全剖析著作所出现的视觉艺术魅力；第四章商量绍拉在发明舞剧片子时遭到了哪些方面的作用。本论文的立异的地方在于，这是国际初次对绍拉舞剧片子停止的周全研究，深刻发掘了其著作所具有的艺术美感。 Abstract: Carlos Saura is Spain's most outstanding film of the eve of the division one, he pioneered for the ballet film has its peculiar bright artistic style. Saura dance drama film agglutination with him decades film creation of wisdom and the essence, full of people aftertaste endless beauty of art. The Saura five dance drama film as an important object of assessment, from the theme, narrative, audio and video representation, style origin four aspects Pro Saura dance film carries on the comprehensive review and profound discussion. The annotation is divided into four chapters: first chapter from the works which conveyed subject thought carries on the elaboration, separation and explains the girl's fate and death death and loneliness, introspect the Spanish ethnic civilization the eve of the theme, trying to profound Saura energy world. The second chapter focuses on the analysis under the ballet film the special film art situation, Saura how wonderful to stop narrative; chapter three from color, light and space shape to start, comprehensive analysis of works of visual art charm; chapter four discuss Shola in the ballet film was invented was what side effects. The innovation is that this is the first stop on Saura dance film is the comprehensive study, deeply explore the works of artistic beauty. 目录: 摘要 3-4 Abstract 4 绪论 6-10 第一章 沉重积郁的主题表达 10-22 第一节 对女性命运的深切书写 10-14 第二节 对死亡与孤独的深入反思 14-18 第三节 对西班牙民族文化的深刻内省 18-22 第二章 以舞剧为载体的叙事策略 22-33 第一节 标志性的叙事模块 22-28 第二节 镜像式的电影叙事 28-33 第三章 华丽繁复的影像表现 33-44 第一节 精雕细琢的光影色彩 33-37 第二节 独具匠心的空间造型 37-44 第四章 舞剧电影的艺术风格溯源 44-53 第一节 现实与理想的合力塑造 44-48 第二节 对艺术大师的借鉴与继承 48-53 结语 53-56 参考文献 56-59 影视资料 59-60 后记 60 |
