巴列霍诗歌的共情性略论Analysis of empathy in Ballejo's Poems 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，西语毕业论文，西语论文，内容请直接查看目录。） 塞萨尔·巴列霍,秘鲁前锋派诗人,20世纪西班牙语诗坛最具作用力的人物。他冲破传统说话构造和思想逻辑,投身实际,否决纯洁的冥想,将前锋主义与土著主义相融会,用诗歌说话推翻、重组陈旧的西班牙语,出现出一种巴列霍式的“共情”,和极富张力的拉丁美洲美学不雅念,对拉美甚至世界前锋主义诗歌都有深远的作用。巴列霍诗歌的创作既不拘泥于某种笼统的意象,也不局限于某种前卫的技法,它的重心在于若何参与生涯与性命自己。他的“共情”是一次回归社会与实际的理论,表示出对古代社会中人道苦楚的反思,对政治的敏感和对自在的渴求。他从不标榜前卫,倒是一个完全的前锋主义诗人。但作为前锋诗歌的代表,巴列霍诗歌绝对艰涩难明,所以笔者试图以“共情性”为瘦语,以文天职析为研究办法,就其现存中文译本和部门英文译本作为研究对象,从巴列霍诗歌“共情性”的特色、缘起、成长头绪和详细出现等方面,试懂得巴列霍创作的情绪基本和诗歌内在。并摸索究若何在文学古代化进程中,保有并凸显当地诗歌文明特点。 Abstract: Cesar Ballejo, the Peru striker poets, twentieth Century Spanish poetry of the most influential figures. Him through traditional structure of speech and thought logic, join the real, pure meditation veto, will be forward Marxism and indigenism blending, used the language of poetry to overthrow, restructuring the old Spanish, showing a Vallejo "Empathy", and highly tension of Latin America aesthetics idea, to Latin America and even the world forward Poetry have a far-reaching impact. Vallejo poetry creation is not rigidly adhere to a general image, is not limited to some avant-garde techniques, its center of gravity lies in how involved in career and his life. His "Empathy" is a return to the society and the actual theory, the reflection on the humanitarian suffering in ancient society, of politically sensitive and the desire of freedom. He never advertised the vanguard, but is a complete vanguard. But as a representative of the forward poetry, Vallejo poetry absolute abstruse difficult to understand, so I tried to use "Empathy" for thin language, to Wentian vocational analysis research methods, the existing Chinese versions and departments in the English version of the as the research object, from Vallejo poetry "Empathy" features, origin and development clue and detailed appeared, know Vallejo creation of basic emotions and inner poetry. And explore how to keep and highlight the characteristics of the local poetry civilization in the process of the ancient literature. 目录: 致谢 4-5 摘要 5-6 Abstract 6 第一章 绪论 8-11 1.1 选题缘起及探讨意义 8-9 1.2 探讨近况 9-11 1.2.1 巴列霍诗歌探讨 9 1.2.2 “共情”性探讨 9-11 第二章 共情的界定 11-25 2.1 共情的溯源 11-14 2.1.1 共情在美学的界定和溯源 11-13 2.1.2 共情在心理学的界定和溯源 13-14 2.2 巴列霍的共情性 14-25 2.2.1 巴列霍共情的动态模型 15-17 2.2.2 巴列霍“共情”中的矛盾：直接与隔离 17-20 2.2.3 巴列霍共情缘起：印加文化、基督教与共产主义精神 20-25 第三章 巴列霍诗歌与共情性的发展 25-43 3.1 早年：从安第斯山脉到繁华都市 25-30 3.1.1 都市生活茫然与痛苦 26-28 3.1.2 印第安风格的伤怀 28-30 3.2 中期：牢狱生涯 30-34 3.3 晚期：巴黎生活与西班牙内战 34-43 第四章 巴列霍诗歌中的共情性体现 43-66 4.1 两对关系 43-52 4.1.1 生与死的关系 43-47 4.1.2 人与神的关系 47-52 4.2 三组意象 52-66 4.2.1 面包的意象 52-56 4.2.2 数字化的意象 56-61 4.2.3 母亲的意象 61-66 第五章 结语 66-68 参考文献 68-70 |
