写生—通往“总体真实”之路一以安东尼奥·洛佩斯·加西亚的绘画为例Painting -- a case study of Antonio Lopez Garcia's painting in the "overall reality" 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，西语毕业论文，内容请直接查看目录。） 对真实的诘问是艺术创作中常常面对的成绩，而到达真实的门路有许多，写生是个中最根本的一种手腕。经由过程对“真实”停止商量梳理，提出“整体真实”的概念。在绘画的基本练习中，写生是一种必须的手腕，一开端须要处理的就是学会不雅察，在此基本上，能力够停止进一步研究与成长。但是“写生”在当下语境中仿佛曾经被滥用、误用。经由过程对写生停止反思，指出“写生”不是仅仅面临天然去画画，而是基于真实的不雅察和体悟、并追随最终真实的理论行为。西班牙现代具象画家安东尼奥·洛佩斯·加西亚(Antonio Lopez Gareia)的绘画出现出一种极其沉着的真实，西语论文题目，显示了他对于“整体真实”孳孳不倦的寻求。在他的绘画措施中，写生占领异常主要的部门。经由过程对他的绘画和办法停止研究，来探访写生的意义，而真正掌握到不雅察的焦点---企及“整体真实”。 Abstract: The real questioning is art often has to face the results, and reach the real opportunities there are many sketch is medium the most fundamental a wrist. Through the process of "real" to discuss the comb, put forward the concept of "the whole truth". In the basic practice of painting, sketching is a must of the wrist, beginning need processing is learn not Yacha, on this basis, to be able to stop further research and development. But "sketch" in the context of the moment as if it had been abused and misused. Through the process of painting reflection. It is pointed out that the "painting" not only faced with natural to draw, but based on the real observations and understanding, and follow the theory of real end of behavior. Spanish contemporary figurative painter Antonio Lopez Garcia (Antonio Lopez Gareia) painting appears a very calm, shows him about "the whole truth" tireless pursuit. In his painting method, sketch the occupation of the main department. Through the process of his paintings and measures research, came to visit the sketch of significance, and to truly grasp the indecent observes the focus, to reach the whole authenticity. " 目录: 摘要 4-5 英文摘要 5 引言 6-7 第一章 通往真实的尝试 7-11 第一节“真实”的源头 7-8 第二节 绘画中的“真实” 8-11 第二章 架上绘画措施之一 写生的历史以及为何写生 11-13 第一节 古今写生简述 11-12 第二节 写生---实际上是一种观察措施 12-13 第三章 从安东尼奥·洛佩斯·加西亚的绘画看写生与“总体真实” 13-26 第一节 洛佩斯的绘画 梦幻、超现实主义阶段 13-15 第二节 洛佩斯的绘画 梦幻、现实写生阶段 15-19 第三节 洛佩斯的著作 写生与真实阶段 19-26 结语 26-27 参考文献 27 |
