洛佩斯“新具象”绘画语言的探讨与解读[西语论文]

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佩斯“新具象”绘画语言探讨解读Research and interpretation of Lopez's "new figurative" painting language

摘要:(摘要内容经过系统自动伪原创处理以避免复制,下载原文正常,内容请直接查看目录。)

安东尼奥.洛佩斯.加西亚(1936--)是现代西班牙有名的写实主义作风画家。在他学艺有成的60年月正值欧洲的“新具象”艺术1:鼓起时代,他的著作与“新具象”景象表现的不雅念不约而同。.本文经由过程他的详细代表著作来解读他的“新具象”绘画说话,从洛佩斯的学艺阅历和他对西班牙艺术传统的传承来梳理洛佩斯“新具象”绘画说话构成的头绪。本文分为三个部门对安东尼奥.洛佩斯.加西亚的“新具象”绘画说话停止解读,第一部门着意于对安东尼奥.洛佩斯.加西亚绘画说话停止研究,重要包含他对光线、空间的处置,对颜色说话的运用,对画面情势的选择和对资料技法的运用等这几个方面。第二部门再现安东尼奥.洛佩斯.加西亚出身在西班牙,本地的风土着土偶情、艺术传统和时期变迁潜移默化地在洛佩斯绘画作风的演化中获得表现,理清洛佩斯“新具象”绘画说话的构成头绪。第三部门结语中总结了洛佩斯的“新具象”绘画艺术的实际意义,重点拔取他的绘画具有时期感和共通感,这点对于我们在艺术创作中若何把传统与立异无机联合起来具有启发感化。别的洛佩斯真挚看待艺术的严谨立场和绘画选材的朴素是宝贵的,值得我们确定和进修。

Abstract:

Antonio. Lopez. Garcia (1936 -) is a famous painter of Modern Spanish style realism. In his apprenticeship with a 60 years coincided with the European new representational art 1: summon the era, his works and new representational picture in indecent ideas coincide. . this paper through the process in detail his representative works to interpret his "new figurative painting speak, from Lopez of the apprenticeship experience and he of Spanish traditional art heritage to carding Lopez new representational painting talk form the clue. This paper is divided into three departments to Antonio. Lopez. Garcia's new representational painting stop talking interpretation, first Department pains in San Antonio. Lopez. Garcia painting speak research, including his disposal of light, space, to talk to the color should be used, to picture the situation and application techniques of data. The second part reproduction Antonio Lopez Garcia was born in Spain, local climate the DOGU, traditional art and in the transformation period of subtle in Lopez painting style of the evolution of manifestation, clarify Lopez new representational painting speak a clue. Lopez's "new representational painting art of practical significance, key select his paintings with era and a sense of empathy, this about us in the art how to tradition and innovation of inorganic combined with inspired action is summarized in the conclusion of the third sector. The other Lopez sincere view art rigorous position and simple painting material is precious, we should identify and study.

目录:

中文摘要   4-5   ABSTRACT   5   引言   7-10       (一) 选题价值   7-8       (二) 探讨近况   8       (三) 探讨措施   8       (四) 创新点   8-10   一、洛佩斯的"新具象"绘画语言   10-19       (一) 光线时空的处理   10-13           1、奇妙的光线   10-11           2、真实的空间   11-12           3、流动的时间   12-13       (二) 色彩语言的特色   13-15           1、补色的应用   13-14           2、色调的选取   14           3、双重的情感   14-15       (三) 画面形式的选择   15-17           1、造型平稳有力   15-16           2、多视角组合   16-17           3、独特的题材   17       (四) 多种绘画技法和材料应用   17-19   二、洛佩斯"新具象"绘画艺术的形成脉络   19-24       (一) 时代背景与学艺经历   19-20       (二) 洛佩斯绘画风格演变的历程   20-22       (三) 洛佩斯与西班牙艺术传统的传承   22-24   结语   24-26   参考文献   26-27   致谢   27  

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