| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 俄国情势主义文论是20世纪早期最有作用、最富活气的主要文学实际流派之一。这个文学派别固然存在了短短的三十多年，却对后世的文学创作和文学实际成长发生了耐久深远的作用。它直接催生了布拉格构造主义的发生，俄语论文网站，后来由于政治缘由，部门学者分开捷克斯洛伐克到美国等国从事学术研究，增进了英美新批驳派、构造主义、符号学、语义学等文学派别的成长，可以说俄国情势主义文论做出的既是推进东方文论成长又增进新学派生长的两重进献。情势主义文论中的“文学性”概念第一次了了界定了文学的实质，使文学真正从哲学、社会学、心思学和其他非文学的范畴中差别开来，成为真实的“这个”。“生疏化”实际也是俄国情势主义的最主要的进献之一，对于文艺的赓续立异成长具有主要的指点意义。而且在研究生疏化和主动化的关系中，情势主义者发明，恰是生疏化和主动化的此消彼长，俄语论文范文，辨证涌现，从而构成了推进文学成长的内涵动力，从而使文学成长的奥妙从传统文论的内部动因转向了艺术本身的外部动因，完成了对传统文论不雅的一次首创性冲破。该论文就俄国情势主义的焦点概念生疏化实际所发生的语境、生疏化的详细内在、表示手段和所到达的艺术后果、心思学基本和运用生疏化时要掌握过度准绳等成绩都做了较为具体的阐述，对情势主义文论的进献和价值做了较为迷信的剖析和评价，并对情势主义文论的缺点和生疏化实际本身存在的抵触等相干成绩停止了测验考试性的剖析。总之，生疏化是文艺立异成长的主要纪律之一，懂得和控制这一纪律，对于现代文学创作和文论扶植具有主要的实际意义。 Abstract: Russian formalism literature theory is one of the main schools of literary reality in early twentieth Century the most influential, the most active. This literary faction has been in existence for more than thirty years, but it has a profound impact on the literary creation and the actual development of the future generations. It promoted the occurrence of Prague structuralism, later for political reasons, the Department scholars from Czechoslovakia to the United States and other countries engaged in academic research, enhance the Anglo American new criticism pie, structuralism, semiotics, semantics literature faction's growth can say Russian formalism literature theory makes is to promote Oriental Culture on growth and enhance the new school growth dual contribution. The concept of "Literature" in the literary theory of the situation first defines the essence of the literature, making the literature differ from the category of philosophy, sociology, psychology and other non literature ". "Strange" is Russian formalism of the main contribution of it has important directive significance to growth of the ceaseless innovation on literature and arts. And in the study of strange and active relationship, formalism inventor, exactly is strange and active flux, the emergence of differentiation of symptoms and signs, thus constituting a power propulsion connotation of literature growth, so that the secret of the literature on growth from the traditional literary theory of internal motivation to the external cause of art itself, completed to the traditional literary theory of indecent first break. In this thesis, the author makes a more detailed description of the characteristics of the focus of the concept of the focus of the Russian situation, the details of the situation, the means and the results of the arrival of the art, psychology, and the application of the principle. Anyway, strange is one of literary innovation and development, the primary discipline, understand and control the discipline of modern literature and literary theory construction has the important practical significance. 目录: 摘要 4-5 Abstract 5-6 1 引言 8-12 1.1 问题的提出和探讨意义 8-9 1.2 对于俄国形式主义文论探讨的综述 9-11 1.3 论文结构和创新点 11-12 2 俄国形式主义暨陌生化理论探讨 12-34 2.1 俄国形式主义文论产生的语境 12-14 2.2 陌生化理论探讨 14-34 2.2.1 陌生化理论的基本内容 14-17 2.2.2 陌生化的具体手法和技巧探讨 17-22 2.2.3 陌生化的艺术效果 22-29 2.2.4 陌生化的心理学基础 29-32 2.2.5 陌生化的适度准则与审美距离的恰当把握 32-34 3 形式主义文论的贡献 34-38 3.1 文学性的自觉与形式本体论的确立 34-36 3.2 文学发展的内在动力规律的揭示 36-38 4 形式主义文论的缺陷和不足 38-42 4.1 形式主义文论探讨对象的局限性 38-39 4.2 对形式和内容关系缺乏辨证的认识 39-40 4.3 形式主义文论内部存在的矛盾 40-42 结语 42-44 参考文献 44-46 致谢 46-47 个人简历、在学期间的学术论文与探讨成果 47 |
