| 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 逝世亡是性命黑色的太阳。逝世亡是环绕纠缠艺术宫殿的长青藤和闪耀于文学夜空的星斗，俄语毕业论文，文学艺术一向将它归入本身的心灵。逝世亡是文学的一向母题，胸无点墨的俄罗文雅学更是如斯。独有的横跨欧亚的特别地位，构成了俄罗斯南北极化的平易近族特点。俄罗斯人老是充斥了对另外一个世界的盼望，对人生起点意义的不懈寻找。而通向此岸世界的门路一逝世亡一也就成了俄罗斯作家所偏心的主题，并对逝世亡主题表示出了一种继续性。他们描写逝世亡、留恋逝世亡，对逝世亡之美、之奥秘，和由此发生的一系列人的生计图景停止多维度描写，其著作中弥散着挥之不去的逝世亡认识。因为逝世亡具有广度、密度、和弗成穿透性，作家只能经由过程主体的感触感染来体验逝世亡，又使得逝世亡在分歧的作家笔下出现出分歧的形状与颜色：屠格涅夫的逝世亡幽美如诗，托尔斯泰的逝世亡心思如神来之笔，陀思妥耶夫斯基的逝世亡恐怖使人“震动”。安德列耶夫在继续后人传统的基本上，从新构建了本身奇特的小说美学：用逝世亡编织故事的经纬，发明奇特的小说艺术气氛。对逝世亡主题的偏心，对逝世亡的迷醉，使得他在著作中构建了奇特的逝世亡世界，俄语论文范文，逝世亡认识获得了最年夜的声张。假如说《叶列阿扎尔》是他逝世亡世界的外部构造，《人的平生》则是他逝世亡世界的内部特点。 Abstract: Death is the sun of life. Death is surrounded by entanglement of the palace of art ivy and shine in the literature of the night sky of stars, literature and art has been included in the heart. Death is always the theme of the literature, the Russian school is unlearned so gentle. Unique unique position across Europe and Asia, constitute the characteristics of the Russian North and South polarization of the common people. Russians are always full of hope for another world, and the relentless search for the meaning of life. Which leads to this shore world a death a become the theme of the Russian writers of the eccentric, and the death theme expressed a kind of continuous. They describe the death, nostalgia, death, the death of the beauty, the mystery, and the resulting series of people's livelihood picture to stop multi-dimensional description, the work of the dispersion of the lingering death. Because of the death of breadth, density, and Eph into penetrating, writers can only through the main process of feeling to experience death, and the death in different writers showed the shape and color of the differences: the death of Ivan Turgenev dead beautiful poem, Tolstoy's death dead mind like a flash in the pan, Dostoevsky Dostoevsky's death death terror "shock." Andreyev continued the tradition of the people, from the new construction of its own unique novel aesthetics: with the death of the story of the warp and weft weaving, the invention of the strange novel artistic atmosphere. On the theme of death of the eccentric, in an ecstasy of death makes him in the works in the construction of the strange death of a dying world, died dead know the most of the eve of the quiet. If said "ye Zal" is the external structure of his death, "the man's life" is the internal characteristics of his death. 目录: 中文摘要 4 前言 5-6 一、 死亡与文学的关系 6-11 （一） 死亡与悲剧 6-8 （二） 死亡与“良心悲剧 8-11 二、 俄国文学中死亡主题的继承性 11-18 （一） 屠格涅夫的诗化死亡 11-13 （二） 托尔斯泰的死亡心理 13-15 （三） 陀思妥耶夫斯基的死亡恐惧 15-18 三、 透视安德列耶夫著作中的死亡 18-26 （一） 《叶列阿扎尔》--死亡世界的内部结构 19-21 （二） 《人的一生》--死亡世界的外部特征 21-23 （三） 《红笑》--死亡意识的张扬 23-26 四、 结语 26-27 俄文摘要 27-29 注释 29-30 参考文献 30-31 后记 31 |
