| （摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 德国重生代作家中有一部门是上世编年代末出身的年青女作家，被称作“文学小男子事业”。她们以扣人心弦的长篇小说和惹人入胜的短篇小说在德国现代文坛获得伟大胜利，德语论文网站，她们在文学创作上的新陈代谢、标新立异惹起文学批驳家的普遍存眷，也深受读者爱好。尤迪特·赫尔曼（1970—）是“文学小男子事业”最具代表人物之一。她的第一部短篇小说集《夏屋，今后。。。。。。》1998年一经出书便惹起文坛惊动，初出茅庐的赫尔曼也敏捷成为现代德国文学的核心人物。跟着2003年和2017年第2、三部小说集《不外是鬼魂而已》和《爱丽丝》分离问世，她的创作也获得更加普遍的确定和爱好。赫尔曼的故事之间仿佛没有甚么联系关系，但都反应了雷同的主题一人与人之间日益冷淡与隔断的关系。在愁闷的基调下，主人公老是生涯在各类迷惑、怅惘和寻觅中一他们没有明白的生涯目的，德语毕业论文，又缺少热忱；他们对恋爱不锐意寻求，也不信任矢志不移。他们没有年夜喜年夜悲的阅历，却又赓续阅历一个个看似眇乎小哉的袭击。无语和交换的弗成能性是这些小说人物的重要特点，他们话语不多也不爱好说明，不寻求沟通，而总躲避争辩和抵触。固然稍微给人虚无的感到，读者照样能逼真地感触感染到，他们生涯在实际中。赫尔曼的小说说话精练简练、表达精确，在懈弛、天然、恳切、沉着的论述中表现文字的力气。她将故事和人物出现在读者眼前，而不加说明和评判，留给读者更多的想象空间。她的小说展现了一个独有的、具有代表性的德国现代社会一部门人的生涯状况。她的著作转达了一代新人的声响，这一代新人就是她的同龄人。本文即以赫尔曼的部门代表著作为研究对象，拟从文本内和文本外两个角度动身，对著作、作者自己及其获得的伟大贸易胜利停止商量，睁开剖析。 Abstract: Germany has a new generation of writers is the young woman writer had the World Series in the late 1990s, was called "the little man literary career". Their exciting novels and provoke people into wins short stories in modern German literature won a great victory, their metabolism in literary creation, unconventional cause literature criticism of widespread concern, but also by the reader interest. Judith Hermann (1970 -) is the "small business man literature" is the most representative of. Her first collection of short stories "summer house, in the future...... "In 1998 the book will cause literary sensation, fledgling Herman quickly also became the central figure in the modern German literature. In 2003 and 2017 second, followed by three novels set "is nothing more than just" Alice "and" ghost separation came out, her creations also obtained more general and hobbies. If no connection between the story of Herman, but the reaction between the same theme with people increasingly cold and partition the relationship. In a melancholy tone, the hero always career in all kinds of confusion, sadness and seeking a they did not understand the purpose in life, and the lack of enthusiasm; they love not keen on seeking or trust perseverance. They have great rejoicing big sad experience, but also to experience a seemingly insignificant attack. Speechless and exchange of Eph into energy is an important characteristic of these characters, they don't talk too much and they do not like, do not seek to communicate, and avoid arguments and conflict. Although people feel slightly to nothingness, the reader can still vividly feel that their career in practice. Herman's novel speak concise concise, accurate expression, in the warm, natural, sincere, calm discussion writing effort. She will be the story and the characters appear in front of the reader, without explanation and judgment to the reader more imagination. Her novels show a unique, representative of the German modern society a number of career status. Her works convey a new generation of sound, this is a new generation of her peers. This paper is based on Herman's works on behalf of the Department as the research object, intends to start from the text both within and outside the two point of the work and the author himself and won great victory to stop to discuss trade, open analysis. 目录: Danksagung 4-5 内容摘要 5 Inhaltsangabe 6-9 1. Einleitung 9-12 2. Das literarische Fr uleinwunder 12-18 2.1 Begriffsbestimmung 12-13 2.2 Hauptkennzeichen des Ph nomens 13-18 3. Judith Hermann und ihre Werke 18-28 3.1 über die Autorin und ihre Werke 18-21 3.2 über den Erfolg der Autorin 21-28 3.2.1 Charakteristische Erz hlweise 22-24 3.2.2 Allt gliche attraktive Geschichten 24-25 3.2.3 Medienvermarktung 25-28 4. Analyse der Erz hlungen von Judith Hermann 28-64 4.1 Schaupl tze und Zeitgerüst 30-34 4.2 Erz hlperspektive 34-35 4.3 Figurendarstellung 35-41 4.4 Hauptthemen in den Hermannschen Erz hlungen 41-54 4.4.1 Sehnsucht und Suche 41-50 4.4.1.1 Suche nach dem Glück 41-46 4.4.1.2 Sehnsucht nach Allt glichem und Normalit t 46-48 4.4.1.3 Ziel aller Sehnsucht 48-50 4.4.2 Ersehnte Liebe und gelebte Liebe 50-54 4.5 Darstellungsweise 54-64 4.5.1 Alltagsbezogener Inhalt 54-57 4.5.2 Offene und einfache Sprache 57-60 4.5.3 Genaue und stimmige Schreibweise 60-64 5. Schlusswort 64-67 Literaturverzeichnis 67-69 |
