| （摘要内容经过系统自动伪原创处理以避免复制，德语论文网站，下载原文正常，内容请直接查看目录。） 本文试图从克莱斯特的一部戏剧《安菲特律翁》动手，剖析假装者抽象在这部著作中的表示和感化。假装者的主题在文学创作中习以为常。这个与诱骗、困惑有着亲密接洽的题材，惹起了很多作家的兴致。柏拉图、莎士比亚、霍夫曼等人都已经在各自的著作中塑造过分歧的假装者抽象。克莱斯特也在本身的著作中塑造了各类分歧的假装者，这与他的小我阅历密弗成分。克莱斯特曾一度将到达精力境地的美满作为本身最高的人生目的。但康德的哲学实际给他带来了极年夜的作用，克莱斯特是以堕入对人类熟悉才能的深深疑惑当中，即所谓的“康德危机”。这一危机在克莱斯特的创作当中也有所表现。克莱斯特笔下的很多人物，都难以对本身的方圆世界取得一个清楚的熟悉。《安菲特律翁》中的人物也不破例。克莱斯特点在这部著作中塑造了两个假装者抽象。是以，全文重要从以下几个方面睁开：这两个假装者与其别人物的关系和各安闲著作中的分歧感化和这部著作与克莱斯特其他著作之间的内涵接洽。文章最初商量的是假装者主题在克莱斯特的思惟不雅中的位置和作用。 Abstract: This paper attempts to start from a drama "Chrysler Amphitryon", analysis of Pretendere abstract in this novel representation and influence. The subject of the pretend to be used in literary creation. This with the trick, confused with the theme of intimacy, causing a lot of writers' interest. Platon, Shakespeare, Hoffman, who have been in their own work to create a different pretending to be abstract. Kleist also created various pretend in their own works, and his personal experience this close. Kleist once will reach the energy situation of the content as the highest purpose of life. But Kant's philosophy actually brought him great influence, is deeply familiar to Kleist doubts among humans in the fall, the so-called "Kant crisis". This crisis is also reflected in his creation. Many of the characters in Kleist's works are difficult to get a clear understanding of the world in itself. "Amphitryon" in the figure is no exception. Chris features in this novel portrays two Pretendere abstract. It is important to text, from the following aspects: the connotation of the differences between the open contact effect between the two characters and don't pretend and severally in the works and the works and other works best. This article first discuss who is pretending to be indecent thoughts in the theme of Kleist's position and influence. 目录: Danksagung 4-5 摘要 5 Abstract 6-9 1. Einleitung 9-14 1.1. Motivation und Zielsetzung 9-12 1.2. Aufbau der Arbeit 12-14 2. Leben und Werk 14-21 2.1. Kleists Biographie 14-17 2.2. Kleists Rezeption in China 17-21 2.2.1. In der Zeit von Republik China(1924-1949) 17-18 2.2.2. In der Zeit von Volksrepublik China (nach 1949) 18-21 3. Uber das Doppelganger-Motiv 21-26 3.1. Das Doppelgangertum in der deutschen Literatur 21-23 3.2. Doppelganger und die Thematik der kleistischen Dichtung 23-26 4. Das Doppelganger-Motiv in Kleists "Amphitryon" 26-65 4.1. Inhaltsangabe 26-28 4.2. Ein Vergleich mit Molieres Komodie "Amphitryon" 28-30 4.3. Verhaltnis zwischen Merkur und anderen Figuren 30-38 4.3.1. Sosias und Merkur 30-36 4.3.2. Charis und Merkur 36-38 4.4. Verhaltnis zwischen Jupiter und anderen Figuren 38-59 4.4.1. Alkmene und Jupiter 38-56 4.4.2. Amphitryon und Jupiter 56-59 4.5. Funktionen der beiden Doppelganger 59-63 4.6. Das Lustspiel "Amphitryon" in Kleists Gesamtwerk 63-65 5. Das Doppelganger-Motiv und die sogenannte "Kantkrise" 65-67 6. Schluss 67-68 7. Literaturverzeichnis 68-70 Primiarliteratur 68 Sekundarliteratur 68-70 |
