| （摘要内容经过系统自动伪原创处理以避免复制，德语毕业论文，下载原文正常，内容请直接查看目录。） 德国新表示主义是上世纪80年月具有不凡作用力的画派,其艺术思潮风行一时,活着界古代艺术史中施展侧重要感化。它所转达的新晋理念是一种对于实际的批评和艺术家对于实际的思虑,并以绘画的情势抵抗着国际艺术思潮中涌现的低迷之象,重振德国古代艺术的位置。在绘画艺术史中,画面肌理作为架上绘画情势表达的主要说话之一,阅历了一个漫长的成长演化进程,并受分歧时期、文明配景和审美请求的作用。艺术家经由过程运笔使画面发生肌理后果,个中包括了颜料、画笔、画面用材等等物资特征,并融汇了艺术家的情绪、聪明和审美,也唤起了不雅者与艺术家思惟的共识。本文以德国新表示主义的绘画肌理为载体,经由过程其肌理元素的构成、演化、情势、特色、审美心思及情绪表达等方面论述剖析,商量此画派著作中肌理元素的多样性、装潢性和表示性。在古代多元文明成长的明天,绘画肌理说话、创作和资料的运用都获得了很年夜的扩大空间,经由过程德国新表示主义绘画肌理说话演化、视觉审美和理论经历的研讨,对于我们反思表示主义绘画的实际意义和进步艺术家的创作才能具有很主要的实际和实际意义。 Abstract: Germany said the new doctrine is in the 1980s with the extraordinary influence the painting, the art thoughts are all the rage, living to display their side played an important role in the world history of ancient art. It conveys the idea of the new concept is a practical criticism and the artist on the actual thinking, and the situation of painting to resist the emergence of international art trends in the doldrums, to revive the position of the ancient art of germany. In the history of painting art, the picture texture as one of the main words of the expression of the frame painting, has experienced a long process of growth and evolution, and by the differences of the time, the influence of civilization and aesthetic request. Artists through the pen movement so that the screen texture consequences, including the pigment, paint brush, painting materials and so on material characteristics, and to integrate the artist's emotion, intelligence and aesthetic, but also arouse the indecent with artists who thought the consensus. The Germany new said the doctrine of painting texture as the carrier, is discussed in terms of the composition of the texture elements, evolution, situation and characteristics, aesthetic psychology and emotional expression through the analysis, discuss the painting works of the texture elements diversity, decoration and said. In the development of the ancient civilizations, the application of painting texture to speak, creation and materials has gained a great expansion of space, through the process of Germany's new representation of the evolution of the painting texture, visual aesthetic and theoretical experience, we reflect on the actual significance of painting and the progress of the artist's creative ability has a very important practical and practical significance. 目录: 摘要 4-5 ABSTRACT 5 第一章 绪论 8-11 1.1 课题探讨的目的与意义 8-9 1.2 课题探讨的思路 9 1.3 课题探讨的主要内容 9-11 第二章 德国新表现主义中纯粹肌理的双重痕迹 11-23 2.1 肌理的表欲--解构德国新表现主义绘画中的肌理元素 12-18 2.1.1 肌理的出现及演变 12-15 2.1.2 肌理的多样性与抽象性 15-17 2.1.3 肌理的平面化与装饰性 17-18 2.1.4 肌理的视觉与触觉 18 2.2 肌理的表达--表现主义绘画人文精髓的传承 18-22 2.2.1 承载人文精神和内涵的物质依托 19-21 2.2.2 废墟中的人文主义救赎 21-22 2.3 本章小结 22-23 第三章 循迹与发掘--解读德国新表现主义绘画中肌理的表现性 23-27 3.1 情感支配下的形式美感 23-24 3.2 直觉感受上的材料美感 24-25 3.3 精神世界中的复合肌理 25-26 3.4 本章小结 26-27 第四章 传承与发展--肌理在表现主义绘画中的现实意义 27-29 4.1 肌理的寄情于物、意寓于象 27 4.2 肌理的表现性关于当代绘画的审美启示 27-28 4.3 本章小结 28-29 第五章 结语 29-30 注释 30-31 参考文献 31-32 后记 32-33 攻读学位期间论文及科研情况 33 |
