| （摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 本文聚焦于阅历过上世纪深入阵痛的德意志社会，将“汗青”这一介入艺术自省的对象作为一种可用资本，整合进社会症候与艺术干涉这对抵触体的对话中。经由过程对以波依斯与基弗为例的这两代艺术家的小我创作与社会建构的协异性不雅察，将其对年夜配景下社会思惟范畴里特定表述的移置与改革并创生一种具有自力姿势的声响回应偏重新介入进这场连绵的汗青反响的进程提醒，德语毕业论文，旨在终究将这类艺术的行动剥离出诗与史的对话，德语论文，用办法论的研究眼光去商量这类艺术干涉战略的进献与其所带来的成绩，期冀一种自力对待艺术不雅念的价值立场得以浮现。 Abstract: Objects in this paper, we focus on the experience of the last century deep in the throes of the German society, the "history" of the intervening art self-examination as a kind of available capital and integrated into the social symptom and art to interfere with the conflict of the dialogue. Through the process of Boyce and Kiefer for the cases of the two generations of the artist's personal creation and social construction of CO observations, the Nianye under the background of social thought category specific expression of displacement and reform and creation of a has independent position sound response re intervention in the sweep of history response process to remind, to will eventually stripped the action of this kind of art dialogue between poetry and history, the research vision of the used methodology to discuss this kind of art interference strategy into the offer and they bring results, hoping a self treat artistic concept of price value position to emerge. 目录: 摘要 3-4 Abstract 4 引言 6-7 第一章 弥赛亚与破碎的历史 7-12 1.1 对于艺术之于暴行的诊断 7-9 1.2 历史“新天使”的双线读解与遗留的任务 9-11 1.3 艺术对社会干预的构想 11-12 第二章 记忆废墟上的新基督 12-21 2.1 经改造的“自由”与“扩大的艺术” 12-15 2.2 公众神话的建构图示 15-17 2.3 后奥斯维辛摄入生活 17-18 2.4 历史爆破中的虚构与真实 18-19 2.5 对于视觉后像的争论 19-21 第三章 回望者的凝视与弥散 21-31 3.1 母体记忆的借调与历史的偿还 21-22 3.2 舒拉密和玛格丽特的身份图谶 22-25 3.3 作为精神容器的物质 25-27 3.4 通天塔的陨落与众神的黄昏 27-29 3.5 当悼亡图景成为公众之物 29-31 结语 再谈艺术与救赎的命题 31-33 参考书目 33-34 致谢 34 |
