在陈洪绶与委拉斯贵支的画作之后一对于十七世纪上半叶中国与西班牙人物绘画所体现的文化特性和时代The cultural characteristics and the times of Chinese and Spanish figure painting in the first half of seventeenth Century, after Chen Hongshou and Venezuela's painting. 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，西语专业论文，内容请直接查看目录。） 本文以文明特征的差别比拟为入眼点。起首概述中国明未特别而又必定的汗青成长趋向，和相当于同阶段十六世纪下半期至十七世纪上半期的西班牙扼要汗青。然后比较此时两国人物绘画的成长配景中国传统人物绘画的变迁过程成长至明末的根本状态；西班牙人物绘画的实际主义传统。终究侧重落点在异样生涯于十七世纪上半叶的两位人物画家，中国的陈洪绶和西班牙的委拉斯贵支，他们的生平与著作面前透射出两种文明类型的分歧特征。另外还触及到其时中国的一名传统肖像画家曾鲸，他在传统肖像技法的成长与接收西洋画优点的联合上有着本身的独到的地方。这几位画家的平生和绘画都具有各自文明的典范代表性。之所以对他们和他们的著作情况来停止如斯的比拟研究，西语专业论文，是由于明天中国人物绘画的成长正处在一个文明冲击和交汇加倍频仍的时期；继续与拿来，传统与立异，在对汗青的回想中，我们可以或许加倍苏醒的思虑这些成绩的将来偏向。笔者愿望本文所叙对于寻觅人物绘画确当代文明定位有所启示。 Abstract: In this paper, the difference of the cultural characteristics is compared to the starting point. First of all, a brief overview of China's special and inevitable historical growth trend, and the equivalent of the same stage in the second half of sixteenth Century to the first half of seventeenth Century, the first half of the history of spain. Then compare this Chinese traditional figure painting in the development background of China figure painting changing process of growth to the late Ming and the fundamental state; Spain figure painting of the realism tradition. After all, focus placement in the strange career in the seventeenth century half leaf of two figure painter, China's Chen Hongshou and Spain's Las appointed your support and transmission in front of their lives and works out the different characteristics of the two kinds of types of civilization. It also touched upon a traditional Chinese portrait painter who had his own unique place in the combination of traditional portrait techniques and the advantages of Western painting. All the painters' life and painting have their own typical representative of civilization. The reason for them and their works to stop the predicament of the comparative study is due tomorrow growth of the Chinese figure painting is in a culture shock and cross and double frequency is the period; continuing with brought, tradition and innovation, in of historical memory, we can either Xu, doubling the consideration of the recovery of these achievements future bias. The author wishes to find some inspiration on the orientation of the contemporary civilization in the search for figure painting. 目录: 引言 6-7 一．文化、时代与人物绘画关系浅述 7 二．文化类型的划分和特性 7-9 三．文化特性决定了十五世纪的中国与西班牙对待海洋的态度异同 9-10 四．陈洪绶和委拉斯贵支所处时代 10-13 1、明末中国历史简述 10-11 2、同时期西班牙的命运 11-13 五．十七世纪上半叶两国人物绘画背景 13-17 1、中国传统人物绘画的发展至明末基本状况 13-15 2、西班牙人物绘画的现实主义传统 15-17 六．人物生平 17-24 1、陈洪绶 17-19 2、曾鲸的技法贡献 19-22 3、委拉斯贵支 22-24 七．由陈洪绶和委拉斯贵支的生平及著作中反映的文化异同 24-26 八．两种文明碰击引发的文化思考 26-30 |
