泰国校园青春电影的接受美学探讨Research on the reception aesthetics of Thailand campus youth film 摘要:（摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 20世纪90年月末，一场金融危机在亚洲迸发，泰国经济遭遇重创，片子业也遭到涉及，泰语毕业论文，进入低谷。在这一发千钧的处境下，泰国片子人重视艰苦险阻，经由过程短短几年时光的反思与沉淀，使得泰国片子敏捷苏醒，以面目一新的姿势回归到年夜众的视野。泰国片子的类型也随之慢慢变得过细丰满、丰硕多样，芳华题材的片子也就应运而生了。泰国校园芳华片子并没有年夜量运用繁琐庞杂的剪接技能，也没有呆板的去塑造壮丽的画面，亦没有一味的寻求视听的冲击，衬着文明艺术的衬着也适可而止，重视情节的设置人物对白的斟酌。恰是如许朴素天然，回归本真的表示手段，泰语论文，让泰国校园芳华片子活着界片子之林中标新立异。本论文重要对泰国校园芳华片子停止接收美学研究，以不雅者的角度，从主题、叙事艺术、影视说话之接收剖析动手，以多部经典泰国校园芳华片子为实例停止论证剖析，过细发掘泰国校园芳华片子在较短时代内敏捷生长的本源，并卖力研究其演化、退化，慢慢融入主流片子（恐惧片、举措片等）行列的心思机制。并总结出广受年夜众迎接的特性化特点和所具有的成长潜力，进修自创泰国校园芳华片子的奇特元素和艺术魅力，以接收美学实际为基本，寻求迷信性和学术性，与国度微观调控相分歧，开拓出具有中国特点的校园芳华片子途径，慢慢构成可连续成长的校园芳华片子家当形式，丰硕中国片子家当的类型。 Abstract: Twentieth Century at the end of 90 years, a financial crisis in Asia, Thailand's economy suffered heavy losses, the film industry has also been involved, into the trough. In this critical situation, the Thai film attention tough obstacles, through the process of just a few years time reflection and precipitation, making Thailand film agile recovery, posture to face a return to the view of the masses. Thailand film also slowly become too full, rich and diverse, Fang Hua is the subject of the film has also emerged. Campus youth film in Thailand and no large number of application complicated complex splicing skills, also there is no rigid to shape the magnificent picture, nor blindly seeking audio-visual shock, lined with culture and art lined with moderation also, pay attention to consideration for plot settings dialogue. Precisely such a simple natural, return to the true means of expression, as Thailand's campus youth film film world alive bid new innovation. The important of Thailand campus youth film stop reception aesthetics research, to the point of view of indecent, from the theme, narrative art, film and television talk received analysis, with many classic Thai campus youth film as an example demonstration analysis and meticulous excavation campus youth film in Thailand in a relatively short time agile growth source, and hard study its evolution and degradation, slowly into the mainstream film (horror film, action film, etc.) the ranks of psychological mechanisms. And summed up the popular masses to meet the characteristic features and its growth potential, learn from Thailand campus youth film peculiar elements and artistic charm, to receive aesthetics actual basic, seek scientific and academic, and the state's macroeconomic regulation and control phase differences and develop with Chinese characteristics of the campus youth film way, slowly form that can develop continuously is the campus youth film property form, rich Chinese film property type. 目录: 摘要 3-4 Abstract 4 1 导论 7-12 1.1 探讨泰国校园青春电影的价值与意义 7-8 1.2 对泰国校园青春电影进行接受美学探讨的重要性 8 1.3 泰国校园青春电影的探讨近况 8-11 1.4 论文探讨思路与创新性 11-12 2 泰国校园青春电影的历史及其发展 12-24 2.1 泰国电影的崛起 12-13 2.2 泰国电影的类型 13-15 2.3 泰国校园青春电影的产生 15-16 2.4 泰国校园青春电影的发展 16-18 2.5 泰国校园青春电影与观众之缘 18-24 3 泰国校园青春电影主题之接受略论 24-38 3.1 阳光青春的基调设定--赋予自由感 24-26 3.2 对日常生活的审美呈现--营造熟悉感 26-29 3.3 以“纯爱”为核心创造唯美之境--获得愉悦感 29-32 3.4 传统艺术的审美展示--体现其融合性 32-34 3.5 以人为本的大爱精神--实现对观者的“净化” 34-38 4 泰国校园青春电影叙事艺术之接受略论 38-49 4.1 传统的情境结构--对“潜在读者”的“主动诱导” 38-42 4.2 独特的叙事艺术--实现观者的期待视野 42-45 4.3 形象的人物塑造--超越读者的审美期待 45-49 5 泰国校园青春电影影视语言之接受略论 49-61 5.1 镜头语言--对“召唤结构”的应用 49-52 5.2 青春影像--实现身份认同 52-54 5.3 声音--作者、著作、观者三者间的互动 54-61 6 结语 61-65 6.1 泰国校园青春电影崛起的必然性 61-62 6.2 泰国校园青春电影对社会产生的影响和作用 62-63 6.3 中国校园青春电影的近况与展望 63-65 参考文献 65-67 后记 67 |
