This article through the Benjamin German romantic art to the analysis of the concept that Germany will break the early romantic article/piece (Fragment) built into independent genre originates from its reflection epistemological basis of concept and criticism. Romantic style of broken article of the whole system and a default, the German post-modern author's strauss will bo · pieces "further crush", debris left reduction, not the construction of the way to the grand narrative, questioned and emphasizes difference of intertextuality replaced the romantic style will break the article imperfection infinite continue to show infinite and complete intentions. 外语论文网
内容提要: 本文通过本雅明对德国浪漫派艺术概念的略论得出:德国早期浪漫派最早将断篇/片(Fragment) 建立成独立的体裁源于其反思的认识论基础和批评概念。浪漫派的断篇有对系统和整体的预设,而德国后现代作家博托·斯特劳斯要将碎片“进一步击碎”,碎片的不可还原、妄想症的建构方式、对宏大叙述的质疑和强调异同的互文取代了浪漫派将断篇的不完整性无限继续以展现无限和完整的意图。
关键词: 断片/ 碎片 德国早期浪漫派 博托·斯特劳斯
In 2001 the German contemporary writers, strauss was awarded "bo lessing award, awards committee pointed out that the works of the blades &vanes as well as strauss German culture and were neglected is deep and the traditional spirit, that is opposed to modern rationalism in profit, but that in the enlightenment by strauss the means to give enlightenment. In Germany Frankfurt school's critical not only tool rationality, questioned the integrity, dialectically comb enlightenment, this spirit is traditional in Germany there had been early romantic the obvious. Romantic theorists auguste • ShiLeiGe er as early as in 1801 to 1804 in Berlin titled "enlightenment critique of (1) lecture critical means the narrow space of the enlightenment,; In the function of the economy seems principle; Will philosophy into popular philosophy; Will grasp the rational theology in palm; In order to reason and give up fantasy; Surface to banish ignorance, actually to unknown have great fear; Forced to heresy to rejection; Its advocates tolerance and human nature but is cold, intellectual laziness and lack of imagination.
2001 年德国当代作家博托•斯特劳斯被授予莱辛奖,评奖委员会指出斯特劳斯的著作延承了德国文化深厚而又一度被忽视的精神传统,即反对现代理性主义的唯用、唯利是图,认为斯特劳斯在借助反启蒙的手段给人以启蒙。在德国不仅仅法兰克福学派批判工具理性,质疑整体性,辩证地梳理启蒙,这种精神传统在德国早期浪漫派那里就已得到了彰显。浪漫派理论家奥古斯特•施雷格尔早在1801 年至1804 年就在柏林题为《启蒙批判》①的讲座中批判启蒙囿于有限的狭小空间;归顺于经济的功用准则;将哲学变成通俗哲学;将神学把握在理性的手掌心;为了理性而放弃幻想;表面要驱除无知,其实对未知有极大的恐惧;对异端强制地排斥;其倡导的宽容和人性不过是冷淡、思维惰性以及缺乏想象力。斯特劳斯本人也对浪漫派十分有兴趣,他在《会议》中引用早期浪漫派诺瓦利斯《海因里希•冯•奥夫特丁根》和晚期浪漫派E. T.A. 霍夫曼《金罐》中的文字和人物,他在《年轻人》的前言中称该著作是浪漫主义的反思小说。期特劳斯不仅在内容上与浪漫派有对话,在形式上也有呼应。浪漫派可以说是最早对创作形式进行深入反思的文学流派,断篇/ 片( Fragment) ② 在浪漫派之前是指由于流传中的遗失或作者逝世留下的未完成著作,在德国最早在理论上为断篇/ 片铺垫,使其在形式上、体裁上独立是从浪漫派开始的。并且断篇/ 片作为浪漫派全面诗学(Univer2salpoesie) 的重要内容与浪漫派的著作和批评概念息息相关。斯特劳斯不仅在著作中充满碎片,而且在《模糊的碎片》和《无始无终--—对于点和线的反思》中将断片作为文学创作的一个有意识的主题。本文截取断篇/ 片作为切入点,试图浅析浪漫派的断篇和斯特劳斯几部著作中有关断篇/ 片之间的延续与异同。
一、 德国早期浪漫派的断篇:费希特的反思与早期浪漫派的反思
Early German romantic will break into a style in the independent report, thus subversion of the original works about the integrity of the definition, even in the concept of the works of all criticism will understand into broken article, because the criticism of the article is broken works of sequels. Benjamin in the German romantic style of art criticism concept "in the reflection of cognitive analysis method and the romantic style of art criticism of the direct relationship between the concept, (1) the form of broken article is comes from this. Romantic style of art criticism FeiXi, based on the concept of reflection and set, the so-calle，德语毕业论文，德语论文题目 |
