对女性主义的怀疑一以嘉比丽勒·沃曼小说中的女性形象为例[德语论文]

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联邦德国现代有名女作家嘉比丽勒·沃曼是德国文坛最优良的作家之一。她是一个多产作家,她的著作触及长篇小说、中短篇小说、散文、戏剧、诗歌等。嘉比丽勒·沃曼的著作多以女性为重要描述对象,善于描绘女性心思,而且她笔下的女性抽象年夜多是不幸的。嘉比丽勒·沃曼的很多著作都描述了一些不幸的女性抽象,德语论文,而且这些女性都具有女性认识。本文经由过程嘉比丽勒·沃曼描绘的这些女性抽象测验考试剖析她对女性主义的立场。嘉比丽勒·沃曼笔下的女性抽象重要分为两类,一种是有女性自力息争放认识,她们盼望取得自我束缚,她们用本身的措施来追求摆脱,然则终局都掉败了;第二种是具有激烈的女性主义认识的女权主义者,她们试图用各类措施来获得完整的自我束缚,然则她们最初也是以掉败了结。从沃曼描述的这些女性抽象身上,可以看出,沃曼在看待女性主义的成绩上持以疑惑的立场。本文重要采取文天职析的研究办法,拔取了沃曼的四部有代表性的小说,德语论文,并对个中的典范女性人物停止了过细剖析。

Abstract:

The modern famous writer Gabriele Warman in Germany is one of the most excellent writers in German literature. She is a prolific writer, her works touching novels, short stories, essays, dramas, poems etc.. Gabriele Warman works with women as an important description object, portraying female mind and female image Nianye under her pen is more unfortunate. Many of Gabriele Warman's works have described some unfortunate women, and these women are women. In this paper, through the process of Gabriele Warman describes these women Abstract Test Analysis of her position on feminism. Gabriele Warman under the pen of female abstracting key points into two types, one is female independence and liberation understanding, they hope to achieve self bondage, they use the method itself to quest to rid the, however the final fell defeat; the second is with intense feminist understanding of feminists, they tried to of all kinds of methods to obtain complete self bondage, however they is the first losing settled. From Warman description of the female image who can see, Warman in view of feminist holding position to doubt. This article take Wentian post analysis of research methods, the adoption of Warman's four have representative novels, and typical female characters of medium stopped meticulous analysis.

目录:

Danksagung   4-5   论文摘要   5   Abstract   6-9   1. Einleitung   9-12       1.1 Motivation und Zielsetzung   9-10       1.2 Forschungsstand und Forschungsmethode   10-11       1.3 Aufbau der Arbeit   11-12   2. Frauenbilder, Frauenbewegung und Feminismus   12-25       2.1 Traditionelle und moderne Frauenbilder in der Gesellschaft und Literatur   12-15       2.2 Frauenbewegung und Feminismus   15-25           2.2.1 Die Frauenbewegung   15-17           2.2.2 Der Feminismus   17-19           2.2.3 Mi st nde des Feminismus   19-25   3. über Gabriele Wohmann   25-32       3.1 Leben und Werke von Gabriele Wohmann   25-29       3.2 Wohmann und ihre frauenspezifischen Themen   29-32   4. Frauenbilder in Gabriele Wohmanns Werken   32-54       4.1 Leidende Frauenbilder   32-42           4.1.1 überblick   32-34           4.1.2 Ich-Erz hlerin“ in Abschied für l nger“   34-38               4.1.2.1 Inhaltsangabe   34-35               4.1.2.2 Ich-Erz hlerin“   35-38           4.1.3 Ich-Erz hlerin“ in Ernste Absicht“   38-42               4.1.3.1 Inhaltsangabe   38-39               4.1.3.2 Ich-Erz hlerin“   39-42       4.2 Emanzipierte“ Frauenbilder   42-54           4.2.1 überblick   42-43           4.2.2 Christa“ in Paulinchen war allein zu Haus“   43-47               4.2.2.1 Inhaltsangabe   43-44               4.2.2.2 Christa“   44-47           4.2.3 Marlene“ in Ach wie gut, dass niemand wei “   47-54               4.2.3.1 Inhaltsangabe   47-48               4.2.3.2 Marlene“   48-54   5. Schlusswort   54-56   Literaturverzeichnis   56-60  

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