| （摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，内容请直接查看目录。） 2017年5月5日柏林为选帝侯年夜街举行了125周年的诞辰庆典。丰硕多彩的留念运动，展览及庆典的举行不只仅供人文娱，更多的带有个人记忆的意味。选帝侯年夜街颇具传奇颜色，它是魏玛共和国时代政治动乱及长久经济繁华的见证者，也是来自世界各地的常识份子和艺术家的栖息的地方。本文拔取五篇文学著作，从文明记忆实际的角度对此停止剖析，从而获得上世纪20年月选帝侯年夜街的抽象。本文重要内容和构造以下：起首在实际部门引入焦点概念“个人记忆”及其下位概念“外交记忆”与“文明记忆”及“存储记忆”与“功效记忆”；继而论述个人记忆与文学文本之间的关系，德语论文题目，并引见个人记忆修辞的五种形式。在阐释部门，五篇文学著作将在个人记忆的修辞框架内停止剖析，从而注解文学作为个人记忆的序言具有存储、流传及暗示功效。由此不难懂得，为什么在分歧的文学著作中魏玛共和国时代的选帝侯年夜街出现出不尽雷同乃至反抗性的抽象。 Abstract: In May 5, 2017, Berlin held the 125 anniversary of the birthday of the election year night street. Rich and colorful pictures of sports, exhibitions and celebrations held not only for people entertainment, more with the meaning of personal memory. Emperor Hou Street is a legendary color, it is the era of the Republic of Weimar political unrest and long-term economic prosperity of the witness, but also from all over the world of common sense and the artist's habitat. In this paper, we choose five literary works, from the perspective of cultural memory of this analysis, so as to obtain the 20 years of the last century, the election year night street, the abstract. Below the important content and structure: chapeau in the real sector introduced focus concept of "individual memory" and its subordinate concept of "foreign memory" and "cultural memory" and "memory" and "memory effect"; and then discusses the relationship between personal memory and literary texts, and introduce personal memory rhetoric of five forms. In the interpretation of the Department, the five literary works will be analyzed within the framework of the rhetoric of personal memory, so as to explain the literature as a personal memory of the preface with storage, spread and implied efficacy. This is not difficult to understand why the differences in the literary works of the Republic of Weimar in the era of the election year night street there is not the same as the emergence of the resistance of the abstract. 目录: 摘要 5 Zusammenfassung 6-7 1. Einleitung 7-10 2. Theoretische Grundlagen 10-31 2.1 Kurze Vorgeschichte 10-12 2.2 Maurice Halbwachs:das kollektive Gedachtnis 12-16 2.3 Aleida Assmann und Jan Assmann 16-26 2.3.1 Kommunikatives Gedachtnis und kulturelles Gedachtnis 17-22 2.3.2 Weitere Unterscheidungen des kollektiven Gedachtnisses 22-26 2.4 Astrid Erll 26-31 2.4.1 Literatur als Medium des kollektiven Gedachtnisses 26-29 2.4.2 Rhetorik des kollektiven Gedachtnisses 29-31 3. Kurfurstendamm im Rahmen des kollektiven Gedachtnisses 31-55 3.1 Geschichte:Berlin in der Weimarer Republik 31-34 3.2 Kurfurstendamm im literarischen Text 34-49 3.2.1 Klabund:Berliner Weihnacht 1918 34-37 3.2.2 Alfred Polgar:Kurfurstendamm 37-39 3.2.3 Joseph Roth:Der Kurfurstendamm 39-42 3.2.4 Siegfried Kracauer:Straβe ohne Erinnerung 42-45 3.2.5 Joseph Goebbels:Rund um die Gedachtniskirche 45-49 3.3 Verschiedene Facetten des Kurfurstendamms im kollektiven Gedachtnis 49-55 3.3.1 Kollektives Gedachtnis im erfahrungshaftigen Modus 49-52 3.3.2 Erinnerungskonkurrenz im antagonistischen Modus 52-55 4. Schluss 55-58 Literaturverzeichnis 58-60 Dankesworte 60-61 |
