| （摘要内容经过系统自动伪原创处理以避免复制，下载原文正常，德语毕业论文，内容请直接查看目录。） 贝多芬作为欧洲音乐史上一名集古典主义之年夜成、开浪漫主义之先河的艺术大师,不只是一名有名的器乐作曲家,并且还创作了年夜量的声乐著作。其艺术歌曲亦是浪漫主义时代德语艺术歌曲(lied,“利德”)的主要奠定。他为歌德的三首诗谱写的《三首歌曲》(OP.83)恰是其艺术歌曲(lied)中的胜利之作。《三首歌曲》词曲完善联合,表现出了歌德诗歌奇特的抒怀性和韵律感;在旋律、钢琴伴奏等方面也分歧凡响;在音乐作风上继续了古典主义传统,又浮现出“走向浪漫主义”的摸索。《三首歌曲》是一部以统一诗人、统一题材的诗歌为歌词的声乐著作,三首歌曲之间在旋律、调性、曲式构造等方面也出现出必定接洽,故可视为后来“声乐套曲”的铺垫。 Abstract: Beethoven as the history of European music, a collection of classical music, the beginning of a romantic art master, not just a famous instrumental composer, but also created a large number of vocal works. The art song is also the romantic era of German art songs (lied, "Hriday") mainly lay. He wrote for Gerd's three poems, "three songs" (OP.83) is precisely the success of its art song (lied). Music and lyrics of the song "perfect unity, showing the Goethe poem strange lyrical and sense of rhythm; melody, piano accompaniment, and also different; in the style of music continued classical tradition, has emerged out of the" to the exploration of romanticism ". The three songs "is a unified poet, unified theme of the poem as lyrics of vocal works, between the three songs in melody, tonality, melody structure showing a contact necessarily, so it can be regarded as later" vocal divertimento "paving the way. 目录: 摘要 3-4 Abstract 4 引言 6-9 第一章 贝多芬的艺术歌曲创作 9-20 一、德语艺术歌曲的兴起与贝多芬的艺术歌曲创作发展 9-11 二、贝多芬与歌德 11-14 三、三首艺术歌曲的歌词 14-20 第二章 《三首歌曲》音乐略论 20-35 一、歌曲《悲中有喜》的略论 20-27 二、歌曲《思恋》的略论 27-30 三、歌曲《彩绘的花带》的略论 30-35 第三章 《三首歌曲》的艺术特征 35-45 一、旋律的发展手法 35-38 二、和声素材 38-43 三、声乐套曲的雏形 43-45 结论 45-46 参考文献 46-47 |
