从虚幻到现实:德国浪漫主义表现对象的美学演变[德语论文]

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德国浪漫主义文学活着界文学史上是一个具有深远作用的艺术派别,是继狂飙突进活动和古典主义以后的最初一个幻想主义派别。浪漫主义作为18世纪末期和19世纪前叶的一场文艺活动,具有异常深挚的哲学、艺术和宗教文明配景。它是以康德、费希特、谢林等哲学家的唯物主义哲学实际为基本,以施莱格尔兄弟、诺瓦利斯、蒂克、霍夫曼等浩瀚浪漫主义诗人和作家的艺术实际摸索和创作理论为主体,构成的奇特且卓著的德国浪漫主义美学。浪漫主义的美学演化与成长奠基了东方近代美学的基本,对欧洲乃至世界文学的成长都发生了深入的作用。德国浪漫主义文学其实不是消极、主动的文学派别,而是充斥激烈的性命意志,可使人们直面实际与生计中的悲喜,并在如许的性命当中追求生计的意义。它所表现的真实是心灵与精力的真实,而且为古代主义文学的审美实际打下了厚实的基本。论文起首商量德国浪漫主义文学的艺术诉求,归纳综合其实际焦点和从整体勾画其文学表示对象的特点与成长轨迹;同时梳理国际外对于德国浪漫主义文学的研究现状,进而凸起本课题研究的角度与研究意义。其次,经由过程从详细著作动手,具体剖析德国浪漫主义文学表示对象的演化进程。论文遵守美学演化的纪律,重点探访浪漫主义文学表示对象从虚幻的美到实际的真这一成长过程。将浪漫主义的文学题材纵向接洽,德语毕业论文,深化其美学意义。从剖析浪漫主义文学表示对象的全部美学演化中得出结论:浪漫主义文学在出力表示情绪与想象世界的进程中,把古典主义的人文幻想内化为一种精力寻求。这类精力寻求基于对其时的感性主义文明的疑惑与反思,也出自浪漫主义者真实的性命感触感染,因此以一种反讽的措施折射出了浪漫主义文学的实际立场。这类内倾化的创作措施无疑为东方古代文学的发生做了主要铺垫。文章按浪漫主义文学表示对象的演化特色停止研究,在研究的详细措施上分离从艺术、宗教、黑夜、逝世亡、虚幻的奇怪世界和艺术童话和它的实际意义等方面停止过细且深刻的略论与商量,并以浪漫主义美学为实际配景停止详细研讨。论文从详细且活泼的文学表示对象动手,层层推动、以小见年夜,最初梳理出浪漫主义文学的美学演化进程,为从美学深度研讨德国浪漫主义文学的成长探访新的视角与研究措施。

Abstract:

German Romantic Literature alive literary history is a has a far-reaching impact on the artistic faction, is following the Sturm und Drang activities and classical initially a fantasy sectarianism. Romantic as before the end of the 18th century and 19th century leaves a literary and artistic activities, with abnormal sincere, art, philosophy and religion civilization with the king. It is to the materialist philosophy of Kant, Fichte, Schelling, philosophers such as practical as the basic, with vast Schlegel brothers, Novalis, TEEK and Hoffmann romantic poets and writers of the art of practical exploration and creation theory as the main body, composed of unique and outstanding German Romanticism aesthetics. The aesthetic evolution and growth of romanticism has laid a foundation for the modern aesthetics of the East, and has a profound influence on the development of European and world literature. German Romantic literature actually not negative, active literature factions, but full of fierce will to life, make people face the reality and the livelihood of the joys and sorrows, and in such a life pursuing a livelihood of significance. It is true that the performance of the soul and the spirit of the real, but also for the ancient literature of the aesthetic reality has laid a solid basic. First, the thesis discusses the artistic appeal of German Romantic literature, summarizes its practical focus and the characteristics and development of its literature from the overall outline of the object of the study and the development of the international literature on the German Romantic literature, and then raised the issue of the research angle and research significance. Secondly, through the process from the detailed work, the specific analysis of the evolution process of the German Romantic literature. This thesis focuses on the discipline of aesthetic evolution, and focuses on the development process of the romantic literature, which represents the object from the illusory beauty to the real truth. To deepen the aesthetic significance of the literary themes of romanticism. From the analysis of all the aesthetic evolution of the object of the romantic literature, it draws a conclusion: the romantic literature in the process of the output of the emotion and the imagination of the world, it is a kind of energy seeking. This kind of energy seeks the doubt and Reflection Based on the time of the cultural and emotional, and also from the true feelings of the romantic life. Therefore, it reflects the practical standpoint of the romantic literature in an ironic way. The creation method for this type of introversion is undoubtedly occurred in the ancient Orient literature as the main way. Articles according to the romantic literature said object evolution characteristics of research, from the aspects of art, religion, darkness, death death, illusory strange world and the art of fairy tale and its practical significance etc. stop meticulous and profound analysis and Discussion on the details of the methods used to study separation, and romantic aesthetics for the actual background stop are discussed in detail. The thesis begins with a detailed and lively literary representation of the objects, promotes the development of the aesthetic evolution process of the romantic literature in the beginning, and discusses the new perspective and research method of the development of the German Romantic literature from the depth of aesthetics.

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