This paper studies the occurrence of new German Neo (Expressionism), and analyzes its influence on Chinese modern art. Since twentieth Century 60 years, the emergence of the action art (Art Performance), video art (Art Video), occasional Art (Happenings), Art Conceptual (Art), such as "after the ancient art". Germany's new doctrine in the form of painting, the emergence of these after the ancient art of art. It is often understood as the "return" of the painting after the ancient art, but also with the late twentieth Century, said the art has a certain degree of coherence. However, such a description can be a lack of all the sources of the German new representation. Twentieth Century 70 years and even earlier, the German new artist's creation, there are different ideas and origins of their own. American Abstract Expressionism (Abstract Expressionism), general painting Tachisme (Tachisme, after the Second World War, European abstract painting), non artistic forms (informal art, pop art, pop art, action (action painting painting, body art body art), Soviet Socialist Realism, super realism, and the 16th century style realism art, before and after the 20th century, 70 years of music, photography and film, the occurrence of new representations of the doctrine of brought influence. Germany in post World War II break and confrontation of shape, political systems, both Germany and the United States and the Soviet Union's special relationship is the new German said the doctrine of special background. However, the creation of new artists, there is a similar place, is the artist from the new choice of painting as a prelude to the creation. So my thesis is titled "the return of painting". But "return" is not simply to or reproduce, but to stop the new invention. Infighting in Germany to break the trauma, by German said master artist of great influence, are durable and is difficult to estimate. The Berlin wall has become a microcosm of the struggle between capitalism and the socialist camp, which is concentrated in Europe and in the wider world. This dichotomy recognizes the shape of confrontation, is the new German Expressionism artists unusually bad. Artist's personal experience and comforted them for battle, history, capitalism, social spending reflection to create works of art in the provocative and aggressive. Germany's new representation of the concept of painting is multifaceted, both aesthetic, but also the history of the. In this paper, an important Baselitz (Geroge Baselitz) and immendorf Jorg immendorff) as an example and discussion Germany said the doctrine of the process. Richter (Richter Gerhard) and Keifer (Kiefer Anselm) in the late painting, is also thought to be a part of the German new representation, this article is important to pay attention to their painting and photography and assembly of the integrated. The "return" of painting in twentieth Century 70 and 80 years of the United States and Europe as an international tide, American artist Julian Schnabel (Schnabel Julian), who is thought to be a new representation of the artist, Italian Super avant-garde art (Avant a garde Art Trans) and Germany's new representation, is thought to be a part of the new european. In the 80 years of twentieth Century, German Neo realism revealed the creation of Chinese artists. Twentieth Century 80 years is China's opening to the outside world, great changes have occurred in the years. At that time, the Chinese artists and the art world is important to Germany's new understanding of the art activities, the new representation of the work of art is important through the process of picture books or magazines. In addition to the individual to study in Germany, Chinese artists, to see the German new representation of the original work of the opportunity is not much. However, Chinese artists based on the situation of China itself, through the familiar with the process to understand the new representation, and create a new representation of the characteristics of the painting. Twentieth Century 80 years, in China to spend the first ten years of social structure, the Chinese modern avant-garde art also began to form. China's cultural and artistic thinking to pursue the shackles, but also facing the impact of the eastern civilization, art, capital. German New Expressionism emerged, and Chinese artists on new doctrine of know, encouraged by some Chinese artists continue to painting the situation said the results of modern society and innovation, establish Chinese contemporary painting speak. China and Germany, there are great differences in cultural traditions and artistic status, but the Chinese artists are still interested in some of the reasons for the new. First of all, the new German said political, critical and historical themes with understanding. Second, the new German said that the painting and the Chinese Academy of art professor of realistic painting, history, there are some similarities. Third, a new representation of the relationship between new media and new art forms, such as photography, film, posters, magazines, assembly, action, and imagery. These characteristics have attracted the attention of Chinese artists. Chinese modern art faces the eastern modern art. 目录: |
