| （摘要内容经过系统自动伪原创处理以避免复制，德语论文网站，下载原文正常，德语论文题目，内容请直接查看目录。） 丢勒是北部文艺中兴的代表人物。其时的德国正处于其汗青上最为昏暗的一段时代。而以意年夜利为首的欧洲列国却曾经前后走出中世纪,人文主义的辉煌曾经照亮欧洲年夜陆。因而,作为一个德国艺术家,他在一个代表着曩昔的落伍国家里尽力寻求和流传着“古代”欧洲的先辈思惟。却收回一道强光,让世界注视。本文经由过程对德国文艺中兴时代年夜师一丢勒的肖像画和他的肖像画面前精力的描写,来表达丢勒精力给于我的启发,经由过程材料的查阅对于他和他生涯时期和平易近族的懂得,来进一步在思惟的高度解读这位艺术大师。依照由浅入深,由表及里的思虑形式,尽力发掘丢勒肖像画中的很多特质,这些特质给不雅众的视觉感触感染和赐与我们对于美的思虑。丢勒将略带甜蜜地注视人本身。而这将使他成为一个充斥抵触的个别。正如他的肖像绘画,所绘人物是德国文艺中兴时期的代表,也正如他的精力：深邃深挚、朴素、凝重。想经由过程本文的阐述,对于丢勒的生涯和绘画停止一次梳理。愿望能给本身的肖像画创作以无益的启发。 Abstract: Durer is the representative of northern renaissance. Germany was in its history, the most dim period of time. The European countries led by Italy, but once and after the European countries have been out of the middle ages, the glory of the humanities has illuminated the continent of europe. Thus, as a German artist, he tried to seek and spread the "ancient" European ideas in the past. But to recover a strong light, let the world look at. This paper through the process of German Renaissance era portraits of a great Duerer and his portrait picture before the energy description, to express my energy to inspire dvrer, through the process of material access to know about him and his career period and the nation, to master the art of reading further in the height of the thought. In accordance with the form of thinking from the shallower to the deeper, from the outside to the inside, to discover many traits Durer portraits of these qualities to the audience's visual experience and give us about the beauty of the mind. Durer would slightly sweet watching themselves. And this will make him a conflict of the individual. As his portrait painting, painted figures are representative of the German Renaissance, as his energy: deep, simple, dignified. Think through the process described in this paper, a Durer's career and painting a comb. The wish can give a portrait of itself to create a useful inspiration. 目录: 1一摘要 3-5 摘要 3-4 Abstract 4 2—引言 5 3—第一章:精神表象:沉思者--浅析丢勒笔下的形象 5-6 4—第二章:自我解读丢勒笔下的形象 6-10 节一节:对局部性真实和整体自由坚持—自己的形式 6-9 节二节:感受真实--丢勒绘画中的特质 9-10 5—第三章:丢勒肖像画的发展 10-12 6—第四章:丢勒绘画的精神本源和延续 12-15 第一节:丢勒肖像绘画的时代性和民族性 12-13 第二节:丢勒精神的延续 13-15 7—后记 15-16 8—参考书目 16 |
