| （摘要内容经过系统自动伪原创处理以避免复制，德语论文范文，下载原文正常，德语论文，内容请直接查看目录。） 十九世纪末到二十世纪初,各类艺术派别如火如荼,奇光异彩,在古代主义的旗号下,艺术的立异到达史无前例的欣欣茂发的局势。德国作为一个文明年夜国,其哲学和艺术对世界发生了应有的作用力。发生于20世纪晚期的德国表示主义,他们成长了源自法国的后印象主义作风,构成了具有奇特的德意志平易近族精力的艺术情势。第二次世界年夜战后,一批在1945年前后出身的艺术家在继续了德国晚期表示主义作风的基本上,经由过程对德国宗教、平易近族汗青和平易近族精力的追想,以哲学的高度深入地检查了北欧神话中沃坦精力而至的德意志平易近族好战属性的根源成绩和国度政治品德,构成了有别于晚期表示主义作风的新表示主义派别。以伊门多夫等艺术家为代表的新表示主义艺术家们,在绘画中表达了对德国的政治与社会实际的激烈的批评认识和反思精力,同时艺术家们也在绘画著作中,对本身国度和平易近族的命运表示出深邃深挚的魔难认识和喜剧精力。 Abstract: At the end of the 19th century to the early 20th century, all kinds of artistic faction in full swing, and splendor. Under the banner of the ancient doctrine, the innovation of art arrived unprecedented thriving situation. Germany as a great civilization, its philosophy and art of the world has had its due influence. Occurred in the late 20th century, German Expressionism, they grow from the French post impressionist style, constitute the art forms of the strange German ethnic energy with. The Second World War, a group of artists in 1945 before and after the birth of in to the German advanced said paternalism, through the process of German religion, plain near family history and plain near family energy remembered, to philosophical height thoroughly examined the Norse god Wotan energy be caused by German plain near family warlike attributes of the root issues and national political character, constitute the have not later said a new representation of paternalism sectarianism. Immendorff artists to represent the New Expressionism artists, in painting expressed on Germany's political and social realities of the fierce criticism of understanding and reflection energy, also artists also in paintings, the destiny of their own country and ethnic expressed profound and sincere trials and tribulations in understanding and comedy energy. 目录: 摘要 6-7 Abstract 7 第1章 绪论 9-12 1.1 选题的学术意义 9-10 1.2 国内外探讨概况与探讨价值 10-12 第2章 表现主义艺术思潮的兴起和发展 12-18 2.1 个人化、内心化、情感化的早期表现主义 12-15 2.1.1 表现主义概述 12 2.1.2 德国早期表现主义的起源背景 12-15 2.2 表现主义的地域扩展 15-16 2.3 抽象表现主义 16-18 第3章 德国新表现主义及其代表人物 18-36 3.1 德国新表现主义的兴起 18-22 3.1.1 沃坦精神背后的民族性格的悲剧 18-19 3.1.2 战败后的德国社会近况 19-20 3.1.3 战后世界艺术潮流近况 20-22 3.2 德国新表现主义的主要代表人物及著作略论 22-36 3.2.1 致力于政治性内容的艺术表达的约格·伊门多夫(Joerg Imenndoff) 22-27 3.2.2 心理体验的刻画大师乔治·巴塞利兹(Georg Baselitz)和A·R·朋克(Penck) 27-30 3.2.3 富于表现力不断变化的马库斯·吕佩尔兹(Markus Luepertz) 30-31 3.2.4 具有诗人气质的安塞姆·基弗(Anselm Kiefer) 31-34 3.2.5 历史记录者格哈德·里希特(Gerhard Richter) 34-36 第4章 德国新表现主义对当代艺术的意义 36-40 4.1 新表现主义的独特魅力 36-37 4.2 新表现主义对中国当代艺术的作用 37-40 结语 40-42 致谢 42-43 参考文献 43-44 攻读学位期间的论文及探讨成果 44-45 |
